Posts Tagged ‘Floodlights’

Floodlights

The jangled goodness that rolls out of Australia never flags and Melbourne’s Floodlights have taken up the emotionally scarred mantle from many of their peers – echoing The Bats, The Chills, Goon Sax, and more specifically feeling like a less cheeky version of Scott and Charlene’s Wedding. Like the latter there’s a conversational, working stiff quality to the band’s debut. The songs act as pub rally points, but underneath the hooks, there’s a searching unsureness that’s looking to find where the band members fit into a world that seems daunting by any measurable standards. The discomfort bubbles through From A View giving the songs an itch even when their melodies sway towards earworms. On “Don’t Pick That Scratch,” and “Glory of Control” the band lays out a world that’s unforgiving, mired in wounds that won’t ever heal fully until they’re attended to properly. “Scratch’s” premise is perhaps a sentiment that engulfs 2020 more than any other, as each day pulls back a layer of systemic dysfunction and piles on a few more layers of dystopian atrocity.

While the lyrical content might get take the focus, the band’s not letting the underlying aesthetics fall by the wayside. While the references above might start to give you a picture of where the band is coming from they don’t stick to jangle-pop as a rote means. Goon Sax and Scott and Charlene act as good modern equivalents because like Floodlights they’re injecting a certain element of tension and Floodlights have that in tow. The more I listen this actually begins to cross this over into Billy Bragg territory. Though perhaps not as outright political in nature, there’s a bit of a Brewing Up feeling to Floodlights’ debut that can’t be completely shaken once its felt. After a soft lead in on their Backyard EP this debut establishes the band as ones to keep a watchful eye on in the coming years. It’s a grower that takes more than a few listens to latch, but I’d recommend putting in the work to let this get under your skin.



Support the artist. Buy it HERE (out in Australia now, US August 28th).

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Floodlights – “Nullarbor”

This cut landed a bit earlier last year, but its being revived for a wider audience as the band settles into their new home at Spunk Records. Their EP, Backyard, which helps to highlight the plight of the indigenous population of Australia, is being given a re-release and a new LP issue. The Aussie outfit captures a weathered, worn-in vision of rock that’s shifted from a few of their hometown janglers. There’s less of a scrappiness to Floodlights’ sound, but even with the whiff of twang and bar-toughened riffs, singer Louis Parsons’ battered, but hopeful quiver gives the song an openness that draws the listener in. “Nullarbor” doesn’t loose the drawl that comes naturally to the singer, but its not pretending to be anything other than Australian, kissed with the soil of the continent and stuck through with a labored sigh from travel and time. The EP gets a new life in February.



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Support the artist. Buy it HERE.

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