Posts Tagged ‘Experimental Guitar’

Gunn-Truscinski Duo

A decade into their partnership Gunn-Truscinski Duo continues to strip rock’s impulses back to its most basic elements. Despite Gunn’s rise to Matador namesake in more digestible waters, the pair have kept the Duo as an outlet of experimental edge — with Gunn’s guitar work weaving fragility and fury into instrumental bliss and Truscinski proving he’s an infinitely flexible foil. Much like contemporary Steven R. Smith, the pair are able to form compositions that radiate calm, dredge anxiety, and hound the listener with sonic horror, though they’re keeping close to the calm on Soundkeeper. As the record opens, they pad their way into the room with patience, not working to stun or shun the listener with a tumult unitl the moment is right. On through “Valley Spiral,” the record is coiled and cautious — picking through its motifs in slow spirals.

Once the band kicks into “Pyramid Merchandise,” though the tone changes. With a low-slung Gunn riff and an audible “whoo” sent up from the room, the duo begins to buck against the tide. Clangorous blues are wrestled and Gunn’s grit-teethed riffs grow fangs. John kicks the pace to match and the album lights a blaze against the forming darkness. From there the pair pushes through dirt-caked blues, crumbling under the Rust Belt’s weight before emerging once again with the languid, shimmering tones of calm waters once again. The title track pulls some tension once agan, urging them through 16+ minutes of wrangle and wain before skidding into the psychedelic blur in homage to Eddie Hazel that closes out the record, a smoldering elegy to the guitarist that rides away on the ashes of what they burnt down over the last hour. Its an excellent springboard into Three-Lobed’s new 20-year anniversary and a reminder of what’s made the label, and this band’s involvement in it over the years, so vital.

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Bill MacKay + Katinka Kleijn – “Hermine”

Its been a rather banner year for Bill MacKay. The guitarist’s last album landed in February and its one of his most affecting statements to date, which in a catalog of his caliber isn’t any small feat. Now he’s got another LP on the way, this time with Dutch Cellist Katinka Kleijn. The first taste of their upcoming Drag City album is scarred and scratched. McKay’s guitar work is far more fanged than on Fountain Fire but no less vital. The first cut “Hermine” is feral, burnt, hollowed — it’s a much more ferricious side of MacKay than his simmering folk and Kleijn adds a shading and dimension that brings his playing forward in stark relief. Check the video for the first cut above and look out for this one on October 11th.

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