Posts Tagged ‘El Paraiso’

Astral TV

Formed by Causa Sui synth player Rasmus Rasmussen alongside Keith Canisius, Astral TV picks up the Kosmiche baton from so many other tape trade analog wizards operating in the wake of Onehotrix and Emeralds. While the heyday of instrumental synth’s resurgence may be in flux, there’s still room at the table for those that are doing it with a deft hand on the knobs. Astral TV eschews the Goblin and Morricone tropes of the genre, going in for true German progressive float that comes straight out of the Göttsching school of meditative psychedelics.

The album has a tender arc, reigning in light-soaked burbles of sound that push the sensory deprivation vibes with euphoric results. On tracks like the sublime “Sun Flares” the duo rides the open consciousness fader to the top, rippling with a soft ecstasy that’s buoyed by arepgiated synths and glowing lines of honey-dipped guitar. They cross into some pastoral-psych / ’70s synth hybrids that skirt towards territory that Belbury Poly or The Advisory Circle might rightly feel comfortable in and it’s not a stretch to imagine Astral TV sharing a stage with either.

For minimal synth there’s always the danger to get sucked too hard into the New Age filter at the end of the pool, at least for me. There’s a huge audience for that and if you’re vibing on Vaporwave and loving it, more power to you. For my money though, the brand of Kosmiche that Astral TV has inhabited winds up with more meat on its bones and a longer lasting effect on the blissful comedown they’re searching for.

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Astral TV – “Sun Flares”

More great work out of the El Paraiso camp. This time the vibes skid less into the psych valley than into the Kosmiche ripple with a solo outing via Causa Sui synth and electronics-wiz Rasmus Rasmussen. The track is a prime example of ’70s German progressive synth float flecked with cosmic ambitions and rippling waves of lycergic bliss. Kosmiche has come storming back as a tag of notoriety in the last few years, but its also become a lazy signifier for letting synths drone on too long. Rasmussen can hardly be accused of aimless synth noodles. The track builds to a tower of crystalline beauty and glows like a beacon of new age glory. Many have tried and failed, but Astral TV nails the vibes that brought Germanic synth lords shuttling into view in the first place.




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Design Inspiration: Jakob Skøtt

For the third installment of the site’s Design Inspiration series, I’m focusing on Jakob Skøtt, who wears triple hats at the excellent Danish label, El Paraiso Records. Skøtt is co-owner, member of the band Causa Sui and chief designer of the label’s aesthetic. That aesthetic struck me immediately as being one of the most cohesive and attractive since Sacred Bones took up arms 10 years ago. Like SB, the label hearkens back to the idea of library sleeves or serialized jazz, tying their catalog together through crisp typography and the faded hues of Skøtt’s paintings. There are very few labels that I stumble upon and immediately want to buy wholesale on sleeve art alone but El Paraiso makes the case for buying blind and assuming a quality product. Below are Jakob’s picks for his five favorite album covers.

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Mythic Sunship

Admittedly it’s been a good year for psych, with plenty of releases edging their way up into album of the year territory. Now there’s another one to add to the list, Copenhagen’s Mythic Sunship brings crushing doom-psych vibes on their second album for El Paraiso. The album is built around two extended cuts pushing past the 13-minute mark and using every second to build an aura of creeping dread. They touch through the same scorched valleys as contemporaries Hills or The Cosmic Dead, but they seem to push further into a taut, propulsive landscape of slow simmer psychedelics. Mythic Sunship also takes a cue from prog in their ability to ‘world-build’ the songs into instrumental narratives that rise and fall with eddies of calm that lead into nighttime raids of incendiary guitar.

Lying in wait under one of El Paraiso’s trademark hand-painted sleeves courtesy of Jakob Skøtt, it’s an all around beautiful package from design to aural heft. Perhaps the best litmus of how heavy the band hits, though is who they’ve been playing with. A resume of opening slots for the likes of Träd Gräs och Stenar, Moon Duo and King Gizzard and the Lizard Wizard doesn’t speak lightly about their ability to level an audience. They harness the feedback fuzz, the metal stomp bass and tank tread thunder of drums and they’re doing it with a dark entropy that’s heads above many who step into this genre. Where most would skew too stark or too flashy, the band balances restraint and power in equal fistfuls. For my money, you’re gonna be hard pressed to find another album quite as devastating and nuanced this year.




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