Posts Tagged ‘Dark Entries’

Flesh World

Seems to be a week for goth stomp around here and Flesh World know how to streak the drawn curtain dynamics with enough jangle and dreampop to give Into The Shroud is own space at the table. Their sophomore album only cements their foray into the sound, proving that Jess Scott’s melange of influences can all sit perfectly alongside one another in a nostalgia daydream. They dip into the jangle-pop that informed here former band, Brilliant Colors, but don’t hang on the genre as a defining trait. Instead, with a new rhythm section in tow, the band takes swooning romanticism and muddies it with hollow-eyed synths and a breathless pound that sweeps away the streaks of sun that try to find their way into the mix.

Though, that’s not to say that Into The Shroud isn’t without its hooks. The title track alone steps out of the haze for a fawning chorus that would almost crack a grin if it weren’t white-knuckling its way through a post-punk deluge. The spring-tight aesthetics pair well with Scott’s exploration of the Bay Area’s gender politics, literary history and musical history each flung into a whirlwind rotoscope and sketched out in shades of black and white.

With their pairing it becomes clear that Scott Moore has proven to be the muse Scott always needed, thickening her sound with a wave of perfectly smeared synth and exploring the darker reaches of her songwriting. With their Dark Entries debut, the band steps up to take a swing at the upper reaches of the ’80s cult pop pantheon and they come out feeling like they’ve connected nicely.



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Flesh World’s Jess Scott on Section 25 – Love & Hate

Jess Scott’s membership in the under-sung, shambolic trio Brilliant Colors would cement her status around here alone, but she’s doubled down on great bands, heading up the equally great Flesh World. Their second LP is on the way from Dark Entries and it’s an intoxicating mix of brittle, anxious post-punk and dreampop that will undoubtedly convert a few more fans to their cult of sound. As usual with Hidden Gems, I’ve asked Jess to elaborate on an album that she finds underrepresented or overlooked in the halls of musical accolades. She’s dug deeper into the Factory files than most cursory listeners with a dive into Section 25’s 1988 album Love & Hate.

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Flesh World – “Into The Shroud”

SF group Flesh World share another piece of their upcoming album, Into The Shroud, giving the title track a lo-budget clip that belies the track’s driving sheen. The song vacillates between the brittle, anxious verses and the exuberant chorus that breaks free of the tendrils of tension the band lays down throughout. It’s a tough knife edge to walk, but its clear that they’ve come quite a ways since their debut.

It’s fitting that they’ve landed on Dark Entries for this LP, a label more associated with obscure post-punk and synthwave reissues than with new acts. The band feels like they exist in a world of lost maxi-singles found at the flea market on a stroke of blind luck, but packed with the kind of electricity that causes a two year binge to find the band’s roots. Their sophomore LP looks to kick any hint of a slump to the side and act as their springboard to wider appreciation.



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