Posts Tagged ‘Color Green’

Mixtape: Goodwill Cowboys Ride Again

At the end of last year I put together a mixtape that shifted the focus of the series from more archival offerings to something that wrapped up newer artists. Some Cowboy You Turned Out To Be took a look at a new wave if indie, alt, and cosmic country and now I’m offering up a sequel that expands the spectrum, reaching back a couple of years to nab some I’ve missed and including a crush of new songs that have found their way out in the last year. The wave of Cosmic Americana is still going strong and there are a lot of new names here and even a couple that cropped up on Cowboy that have already let new gems out in to the air. The last time the mix had a bit of a heavy heart, but there’s a bit more jubilance this time around. Continuing with the cowboy theme, I’ve nabbed a bit of phrasing from Michael Chapman for this mix.Check out the trackless and stream below.

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Color Green

This loose-knit EP hits just right for the country-psych leanings I’ve been feeling these past few years. Admittedly the hold’s only getting stronger this year. Maybe there’s a comfort effect in the genre somewhere, but the melancholy melt has taken root this summer for sure. There’s been a solid pocket for works that fall just this side of psych-folk, and just that side of cosmic country pulling out of the tailspin of the ‘10s and Color Green fit the form well. The EP is the work of Noah Kohll and Corey Madden who have an admitted debt to the drift of the Dead that’s been wafting through the rafters of late, but they also give this a wash through New Riders waters with some stops off at the kind of private press gold that birthed Relatively Clean Rivers. The twang sits high in the band’s repertoire, but the vocals are whispered on the wind and buried in a second-hand bootleg ripple of tape hiss that gives this a timeless feel, rather than the usual lo-fi associations dredged up with the noise floor of Teac turbulence.

Faded sun is in the band’s veins, dipping just below the mountains while the band peruses a wrinkled junk shop copy of the Whole Earth Catalog. It’s just languid enough to eschew proper jam territory, but sprawled out so much that you know they’re itching to take it that direction on stage. The release is out via small Toronto imprint Maximum Exposure who’ve brought out some great small releases from RSTB faves Young Guv and James Matthew VII in the past few years. The site mentions this being an early release, so no word on whether that means a digital drop before a physical but no matter what format this one lands on your speakers, it’s worth it. There’s a perfect end of summer feeling to the songs — amiable, easy, and drifting on a wind that’s got change on its mind. Keep the band in your watchlist for good things to come. If the early James Matthew tracks give an indication where these EPs can lead, you’re gonna want to see what the band does when they get some proper sine on ‘em.




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