Posts Tagged ‘Black Editions’

White Heaven – Out

I wrote about this one a little while back, but it bears another mention since this is the first time that this essential LP has been readily available. White Heaven’s proper debut may stand as one of the greatest psychedelic records of the ‘90s and argument goes to push it well up the all time list as well. The record brought together a formidable collection of musicians, lead by the talents of You Ishihara and Michio Kurihara. The former would go on to form The Stars and the latter would helm Ghost, but while they were together for a short time, they stood at the epicenter of a Japanese psychedelic bloom that can still be fell flowering today. Later, the band would bring Shimura Koji (Mainliner, Acid Mothers Temple) into the fold, but here, even though they were just beginning, their sound had already begun to form the exploratory blues pyrotechnics that cemented them as a primordial force in Japanese rock.

Prior to this album, the band released a live tape that documented their early shows, but the studio lit the light of some fertile collaborations. Kurihara’s guitars singe and demur over the course of the album, especially the epic centerpiece “Mandrax Town.” Following this album both Michio and drummer Ken Ishihara exited, but this was a document of the band at their most vital and elemental. The band would finally call it quits around the release of 1997’s Levitation and Kurihara would take Ghost on to be one of the premiere exports from the scene, but this moment of inception and incubation proves where much of his sound got its start. Black Editions has restored this LP to its proper position as a centerpiece in any psychedelic bin. Necessary by all measures.



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White Heaven Out Reissued by Black Editions Group

More great news from the Black Editions Group. As they work through the PSF catalog, they continue to put great records back in their proper place among the stacks. This time the label has a reissue of White Heaven’s scorching 1991 LP Out. The record features guitar from Michio Kurihara (Ghost, Cosmic Invention) and it marks a high watermark of ’90s psychedelic Japan. Originals of the LP will set you back upwards of $300 so its an amazing piece to have back in circulation. The album is a feedback chomping monster of riff and riot that cannot be denied. Check out the slow-burn freakout of “Mandrax Town” and get over to the site, where they have a mailorder-only gold edition of the LP.


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Psychedelic Speed Freaks

After resurrecting High Rise’s sonic assault II from the cataloged caverns of PSF, Black Editions gives fans of guitarist/ear drum antagonist Munehiro Narita another treat with the issue of his revamped trio Psychedelic Speed Freaks’ eponymous LP. When the band first rolled out, High Rise dubbed themselves Psychedelic Speed Freaks, originally counting Narita with Masashi Mitani, Asahito Nanjo, and Ikuro Takahashi among the ranks. Presumably the name was an homage to the record label they’d eventually claim as a home, but the label thought the name was a little too on the nose once they were signed on board, hence the swap to High Rise. The switch back to their old handle doesn’t change much about the direction of the band’s sound. Still anchored by Narita’s “motorcycle fuzztone” guitar, the record is perched in the red and not looking to relent. David Jasso steps up on bass this time around and also adds in a dose of Lemmy-indebted vocals that scrape and strain to push themselves over the top of the cyclone assault of guitar and drums.

Straddling the lay lines between psych, metal, thrash, and doom, the band creates a punishing document for 2019 that expands on the dynamic that Narita and Asahito Nanjo crafted and damn near perfected over their initial run. It’s easy to imagine that there are plenty of newer volume feeders out there who never got the chance to experience High Rise in their paint-melting prime, so Psychedelic Speed Freaks seek to right a wrong and bring more joyous noise to the universe both (barely) between the grooves here and in the live setting. From all accounts they tore the doors off of Black Editions’ Festival last month and hopes are on that they keep it up with more dates. The kind of heat that this thing is putting out hasn’t been much matched of late, with perhaps the exception of Feral Ohms, who’ve always seemed to be heirs apparent to High Rise.

Goes without saying that if you’re a High Rise fan, this one’s essential. Honestly, if the term Japanese psych gives you any goosebumps this one should already be on your shelf. It’s a total crusher in every sense of the term.




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RSTB Best of 2018: Reissues, Etc.

A large part of the site is not only focusing on new releases, but also the great reissues that are unearthed during the course of a year. Below are my picks for the best editions dug up by the hardworking folks on the reissue circuit. Every year there are less options to work from and every year labels continue to surprise me with what they bring out. I’m also going to take a moment to give tribute to an album that could have been this year but due to unfortunate circumstances didn’t make it to fruition.

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