Posts Tagged ‘Ben Chatwin’

Ben Chatwin

The battle between electronic and organic has always been central to the Ben Chatwin’s compositions. While the emotional heft in his works is left to strings and brass that conjure the modern miracles brought to life by the likes of Max Richter or the late Johann Johannsson, Chatwin lets his electrics chew on the results in a way that brings to mind Ian William Craig, or Craig’s muse William Basinski. Over the course of his solo albums Chatwin is steadily evolving this approach to leaning on wind vs. wires. On 2015’s The Sleeper Awakes his infection of electronics was pervasive drawing on shoegaze in its obsession with peaks and swells. For 2016’s Heat & Entropy, Chatwin cleared out the noise floor a bit and put the focus cleanly on strings. Though, his vision of strings was still laden with soot, putting him in league with the dust bowl crumble of Evan Caminiti as often as he did those heavy hitting neo-classical types I mentioned.

On Fossils, Chatwin is using his proclivity for noise in the most effective means yet. The pieces have electronics woven throughout them, tumbling on pulse gripping beats sandblasted with static and teeming with swelling synths that aspire to the size of his orchestral ensembles. He’s roping in dub’s cavernous clatter to forests of cellos that block out hopes with a cloud of desperation and anguish. Each side of his approach is pulling its weight hard enough to make this feel like two equally adept genre studies melted together. Its either the best neo-classical album heard this year or the best e. Where his previous effort worked its way through Thrill Jockey’s post-rock to broaden the scope of classical, here Chatwin twisting his vision of modern composition through the prism of prime period Kranky output – positing the film scores that would’ve existed had Keith Fullerton Whitman and Stars of the Lid found their pockets stuffed with enough cash to outfit a full string section with their odes to sonic float and aural decay.

The record is harrowing to say the least, barely letting any room for relief flood the speakers. He grips the listener with writing that’s packed full of mournful resolve that often gives way to crushing walls of noise that feel about read to render the listener dust by the time he lets off the pedal. Not for the faint of heart, but certainly for those looking to run the emotional dial ragged for forty minutes.




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Ben Chatwin – “Euclidean Plane”

Another piece of the puzzle on Chatwin’s debut for Ba Da Bing, the gorgeous piece “Euclidean Plane” wavers between chamber pop bliss and the subtle underwater psychedelics of Sven Libaek. Aptly, like Libaek, the video for “Euclidean Plane’ takes to the seas, pairing the soft movement of an octopus with the burbling build of tension from Chatwin’s score. Though, unlike Libaek, Chatwin’s outlook is much darker. The edge of wonder is constantly in danger of being taken over by dread. The last dip into Heat & Entropy saw Chatwin move the dial a bit further from the clouded mist he’s been working in but this one fully emerges in bold and brilliant colors, albeit colors that are circling the reef and rippling with the light dancing on the surface of the water. Its a beautiful piece that bodes well for a full album that brings Chatwin the wider praise that he deserves.



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Ben Chatwin – “Inflexion”

Ben Chatwin’s last record, The Sleeper Awakes was a grey-skied masterstroke of noise-flecked neo-classical. His solo works find the deep ravine of sadness and rub cold dirt into the wounds, feeling somehow achingly painful and coolly soothing at the same time. The first bit of his new record for Ba Da Bing is just a quick flicker of the match but it hints at another album of cloistered and creaky compositions. Sounding every bit like the slow creep up the stairs to a dark childhood secret, the track pads in on soft dulcitone feet and that creeping music box feel runs up the listener’s spine with icy expectation. It appears most of the album centers around Chatwin’s use of pianos and, like the dulcitone, piano-like hybrids. This is just a tiny morsel of the album, but few bites have ever left me so hungry for more.



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Best of 2015


Its been a long year at RSTB and though the pace may have been slower on the face, there has been lots going on to be sure. Next year marks our 10 year anniversary and we’ll have a new look shortly, so stay tuned. There will also some other fun things to mark the anniversary as 2016 wears on. But enough of the future, let’s look to the past. Here are my favorites of 2015, as usual in no particular order, along with a mix of tracks.

Blank Realm – Illegals In Heaven (BUY)
Dick Diver – Melbourne, Florida (BUY)
Colleen Green – I Want To Grow Up (BUY)
Young Guv – Ripe For Love (BUY)
Sir Richard Bishop – Tangier Sessions (BUY)
King Gizzard and the Lizard Wizard – Paper Mâché Dream Balloon (BUY)
Wand – Golem (BUY) // 1000 Days (BUY)
Thee Oh Sees – Mutilator Defeated At Last (BUY)
Ben Chatwin – The Sleeper Awakes (BUY)
Mikal Cronin – MCIII (BUY)
Twerps – Range Anxiety (BUY)
Future Punx – This Is Post-Wave (BUY)
Sean McCann – Ten Impressions for Piano and Strings (BUY)
The Mantles – All Odds End (BUY)
Barreracudas – Can Do Easy (BUY)
Peacers – Peacers (BUY)
Love Axe – South Dakota (BUY)
Jefre Cantu-Ledesma – A Year With 13 Moons (BUY)
Fuzz – II (BUY)
Sauna Youth – Distractions (BUY)
Unknown Mortal Orchestra – Multi-Love (BUY)
Swiftumz – Everybody Loves Chris (BUY)
Rabit – Communion (BUY)
Holly Herndon – Platform (BUY)
Herbcraft – Wot Oz (BUY)


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