Posts Tagged ‘Andy Human and the Reptoids’

Andy Human & The Reptoids

Oakland squirm punks Andy Human & The Reptoids are back with another long player and it’s charging through the hallways ripping down your Duran Duran posters and spray-painting DEVO all over the walls. Human (nee Jordan) has been mining the nerd curdle of the ‘80s for some time now, though Psychic Sidekick might be his most complete vision yet. While they’re a bit more constrained than similar t-zone dropouts like Ausmuteants, Timmy Vulgar, or Hierophants – the band doesn’t scrape the glue-soaked freak centers as often as others – they still know how to inject a good dose of plastic shrapnel into their brand of punk. When they’re at their best they’re echoing high quality discomfort warriors like Twinkeyz and Simply Saucer for next gen of back row miscreants and the new LP rounds up quite a lot of their best.

Guitars thrash, a haze of ionospheric synth static rains down, and Jordan’s nasal vocal puncture is exactly what’s called for to keep the insomniac punks running ‘til dawn. This time ‘round they run their tongues over ten tales railing against mind melt of mundanity like it’s a mission statement. The band liquifies the banal cabal surrounding them in their heat vision hooks – jittering and hopping through tracks with freakish glee. If you’ve been stuck and stranded, at loss for a dose of quasar chaos to get you through the day, then I’d heartily recommend at least one daily dose of Reptoids in yer life.

Support the artist. Buy it HERE.


Feral Ohms – “Love Damage”

Honestly, most any news of Ethan Miller’s involvement in a band is welcome and usually met with quality psych of some sort. Stepping away from the more seasoned and softened work he’d been pursuing with Howlin’ Rain and perhaps as an extension of his burnt, though somewhat psych-folk leaning work with Heron Oblivion, Miller has a new project on the rise that he’s introducing with a Castle Face live LP. Feral Ohms is comprised of Miller, Chris Johnson (Drunk Horse, Andy Human and the Reptoids) and Josh Haynes (of epic Olympia, WA rockers Nudity). The riffs on the live LP are ten feet tall, covered in fuzz and shot through with the unhinged spirit that made early Comets On Fire such a joy. Live is obviously a comfortable place for the trio but if this is just the first taste, I’m eager to see how they translate this to a proper record, which is in fact slated for release on Miller’s own Silver Current label in 2017. But first, melt as many faces as possible with the ten ton sumo gut punch of “Love Damage.”

Support the artist. Buy it HERE