Posts Tagged ‘Acid Mother’s Temple’

Design Inspiration: Ardneks

The Design Inspiration series has long been one of my personal favorites around here. As much as I love the songwriters and bands that make up the bulk of the coverage here, I’m equally enthralled by the visual artists who define the look of modern psychedelia and forward-thinking graphic design. Usually this feature focuses on cover art, and today’s artist has certainly created a few memorable ones, including recent favorites from Shana Cleveland and Flamingods. However, at heart Ardneks is a master of poster art, weaving intricate details into packed designs that pop with a shock of colors. So, after some discussion on the expansion of scope in this feature Ardneks picked the five posters he found most influential on his style and I’ve highlighted some of his own detail-packed work above. Check out his picks below, a true tour of some of some psychedelic bedrock.

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Acid Mothers Temple

AMT resume their stance poking at the volcano of psych that they’ve had boiling for the better part of two decades now. Kawabata Makoto never fails to invoke the divine power of the psychedelic gods and here, he’s making no exceptions. They’re utilizing the benefit of space on the three longform tracks here, taking their time to build and crash each song like tiny cities turned to ash. The band digs in hard, with a flash of light and then roll deep into mantra territory on opener “Force in the Third System.” On this opening salvo they let things stretch and tumble, invoking bits of thunder and bouts of cinder then flip to backwards vocals sliding over droned and dropped sitar territory. They scrape the stratospheric bounce communications of space rock and dive back towards that welcomed fire with a tear-down of guitar fire and rhythm chug that levels the decks. Twenty minutes in the hands of AMT are never squandered, but the band take the task to wider skies on centerpiece “Nebulous Hyper Meditation.”

The second track eclipses the first, spanning over a half hour, it drops in with a cosmic float that pretty much invokes that title to the fullest extent before swapping the float for Kosmiche burble finding its footing in rhythm. The band chugs along on the rails without letting the beat drop for more than a minute or so. Their meditative state burns a lot hotter than most and under AMT’s watchful third eye any calming impulses start to smolder rather than melt. They close it out with a lonesome and almost mournful bit of space rock worship, bending the will of the six string cyclone to their own wicked wills. Years on there are those who may say that the Japanese collective have been pursuing the same psychedelic shred over the years, but in truth they’ve just been cracking universe one guitar riff at a time, scaling the mountains of madness only to bring fire back to those of us who are cold without it.




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Acid Mothers Temple & Melting Paraiso U.F.O. – “Nebulous Hyper Meditation”

Why is it I’m somehow both surprised and not surprised that there’s never any clatter about a new AMT on the horizon? The long running (21 years!) Japanese psych lords are reaching a new chapter with the exit of longtime rhythm unit Shimura Koji and Tsuyama Atsushi, and with the addition of some youngblood players, Makoto Kawabata seems to be invigorated on this latest cut. It creeps in on sweeping synths, swirling and illusory as quasars, while Kawabata locks in his guitar to euphoric bliss. It seems that we’re never too far from one Acid Mother’s release or another, but that’s no reason to go taking ozone burners like this for granted. Someday there won’t be any more Acid Mother’s Temple, and on that day I assume there will be a collective funeral from the heads of the world, the band lifted off in a Sky Burial/Viking Funeral type situation that turns supernova overhead. But for now, cherish the gifts that come down the mountain.



Support the artist. Buy it HERE.

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Bardo Pond – AcidGuruPond

I’m not always one for RSD releases. For every amazing collaboration or clutch reissue, there are usually a hundred releases that are thrown in bins for the sake of pressing up needless nostalgia. Personally, I don’t ever need a reason to be coaxed into a record store, either, let alone wait in line for one. However, Bardo Pond’s release this year warrants some true praise. The long beloved drone/psych unit teamed up with Acid Mothers Temple and Guru Guru, both of which collaborated themselves on a solid string of records, including the spark that set it all off, 2007’s Psychedelic Navigator. Adding the Pond to the mix only makes this psychic stew even heavier, swampier and more psyionically gelatinous.

The album opens with a bit of pastoral psych before it moves into heavier tones and the ozone burn of AMT and Guru Guru can both be felt. Its not as slung with rhythmic chug as one might expect given that Guru Guru is involved, rather the combo seems to be coasting on melted vibes that roll through floor puddled zone out to the clash of free jazz ramble (specifically “Orange”). By the time “Red” rolls around the record drops into noisier territory, smoldering in full on cinder-psych territory, uncomfortable in any position and twisting to break free of its constraints. A damn fine outburst from all involved and Fire has put it together in a gorgeous package as well (RSD, gotta have colors). If your local store is out, you should buy something else from them and then head to Discogs. There are still some moral souls there selling it for around retail.

Some copies available HERE.

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P.S.F. – Black Editions

News came down today that the vaunted P.S.F. catalog is getting a new home and some proper reissues. Anyone familiar with the Japanese psych/noise/experimental scene should be familiar with P.S.F.’s long shadow but for the uninitiated, the label was started by Hideo Ikeezumi in the ’80s in order to document music that he found interesting. Matters of genre weren’t necessarily important as long as the music was original and moving, and nothing more could ever be said of entrants into the label’s catalog.

The label’s dense catalog has been purchased by L.A. based Black Editions, run by Peter Kolovos. Along with the announcement comes news of the first batch of reissues for 2016: “definitive editions of Fushitsusha’s 2nd Live, the original version of High Rise II, the Tokyo Flashback compilation, Che Shizu’s A Journey and through special arrangement with the artist- Keiji Haino’s classic 1981 debut Watashi Dake?.” That High Rise album alone is worth the price of admission but for perspective other gems in the label’s catalog include White Heaven’s – Out, Acid Mothers’s Temple – S/T album and Mainliner’s – Imaginative Plain. Its the first time many of these will be available on vinyl and for many the first time outside of Japan at all. This comes as pretty exciting news, no doubt, to psych freaks everywhere.



More info on Black Editions HERE.

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