Scott Hirsch

A couple of years back Scott Hirsch moved out of the studio pool, producing Hiss Golden Messenger records and holding down time in The Court and Spark to release a solo record. The record touched on plenty of the same ground he’d explored with those outfits – mellow, smoke and sunset country-folk that was nuanced and peppered with seasoned vets in the studio. On his follow-up, Hirsch has refined that sound, but added a low-slung groove to his tanned leather soul. Among those other plaudits, Hirsch was instrumental in mobilizing the one-off brilliance that was Golden Gunn and he brings the same reverence for the catalog of JJ Cale’s cocaine country to the fore here.

Lost Time Behind The Moon weaves between the roadhouse wrangle of Cale’s legacy and something of a transcendental peace, picking up the scattered pieces of Fred Neil alongside the respective ’72 vibes of Little Feat and Tim Buckley. Hirsch outstrips his previous effort time and again as each new song on his sophomore stint cues up – each one full of deeper humility, more vibrant hues, and rougher cut features. In a way the album sidles alongside the wave of Cosmic American that’s blossomed in 2018, though its nowhere near the heady sweat of most of the core chooglers operating in that sphere. While “No No” could easily slip in to bridge the divide between One Eleven Heavy and Howlin’ Rain, the scope of Hirsch’s album aims for more than just a nostalgic niche. Lost Time bristles and broods and in the end is a salve and solace to lost souls.

There’s something ephemeral that ties 1972 and 2018 – a tangle of turmoil, terror, desperation and delusion. The corruption wormhole of Watergate shot through to whatever ham-sliced timeline we’re currently operating in is palpable and by turns the same battered blue-collar brilliance on the stereo seems to hit home. Hirsch’s vision of country elegance and barbiturate boogie hangs heavy on he diaphragm, groovin’ and singin’ in the same breath. It’s both a damn shame and a blessing that this is coming out in December. The release schedule rush means a lot of people are going to gloss right over this, head stuck in the wet sand of year-end wraps ups. On the other hand, that makes this a brilliant gem for those still paying attention to the right channels. This one’s feels like it’s already got future collectors itchin’ to find a first press. If there’s one last record you add to the stack before the year tumbles down, this should be it.



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