Scott & Charlene’s Wedding

Scott & Charlene’s Wedding, and more directly songwriter Craig Dermody, has been touted as being the voice of a generation. That’s a hard nut to swallow and quite a lot of pressure for someone who seems more likely than anyone to scoff at such assumptions. Dermody has a deft ear for melody though and a shaggy countenance that does makes his day-in-the-life stories seem a bit more profound than they are at base level. The songs on Mid Thirties Singles Scene are slightly refined from their past efforts, but never self-serious. Its the kind of album that can make a song about eggs and shit jobs feel like a shoulder to lean on and a light teasing at the same time.

2013’s Any Port In A Storm had a loose hopefulness to it. Craig Dermody had decamped to New York, setup with a new band and found a kindred spirit in the city’s ability to absorb newcomers, deflect responsibility and crash from couch to couch. As Dermody readied Mid Thirties Singles Scene, he returned to Melbourne and has rather amiably captured the current wave of youth that’s tied to jobs that pay enough rent, nights at rehearsal and the smaller comforts of a few friends, pints and football. The past years’ hopefulness has slid into a crooked grin and a laugh punctuated with sigh. In that light, maybe he’s not the voice of a generation, but he’s certainly got his particular demographic well pegged.

Dermody has a perfect knack for imperfection. He’s found a home in the shaggy squall of Pavement’s shambling delivery paired with pop-freckled noise. The general relaxed exterior can sometimes let down the listener’s guard, leading to a wry smile when Dermody drops sparkling pop nuggets in the mix like “Distracted” or “Don’t Bother Me.” There aren’t many that can find enlightenment in repetitive stress careers, delivered weed and a few beers and wrap it up without cliche but Dermody finds a way to make it seem enviable. The rest of the world isn’t immune to its own packs of directionless youth, but somehow the Aussies have been nailing the finder shading on the class portrait. Dermody’s pulled it all off with an air of wearied charm that’s pushing him to the top of the heap. Maybe he’s not the voice, but he’s getting pretty damn close.



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