Samara Lubelski inhabits a world of subtle psychedelia. Her songs don’t hit you over the head with guitar pyrotechnics, effects or gimmick. Where other vocalists would belt, Lubelski prefers the intimacy of a whisper. Her songs hum along on a slipped frequency, and like a secret stretched between the notes her soft touch pushes the listener out of sync with time and space for just a while before it snaps back with an elastic ‘thwap’ as the album clicks to a close. She stitches the rhythmic burble of Krautrock to a knotted pop and sends it twisting through the mind with an effervescent fizz. Her hushed composure, paired with the delicate machinations of Flickers At The Station give the feeling of being shrunk and zipping through a molecular backdrop in perfect precision to Lubelski’s click-stop kaleidoscopic pop beat.
Though Lubelski has a folk and experimental background, her solo work increasingly picks up cues from Stereolab, melding the band’s progressive rubric to the airy folk-pop delivery of The Free Design or Wendy & Bonnie. Chalk this up to Lubelski’s continued collaboration with German pop tinkerers Metabolisumus, who serve as backing band for the recordings here. With their aid she helps to push her songwriting through the cigarette burn flicker of the film strip pop she’s been working towards, winding up in a feeling caught between sleeping and dream, nodding out while the 60’s science lesson filters in through the classroom speakers above. Flickers winds up yet another solid notch in Lubelski’s catalog- warm, nostalgic, and expertly built.
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