A long running Paisley Underground classic gets a second life via Real Gone this week. The Rain Parade fully embraced the jangled and jeweled psych sounds that predated them by a good two decades, falling out of fashion for the times, but winding up timeless as a result. The band’s debut on Enigma Records is the long discussed and often influential Emergency Third Rail Power Trip, a complete oddity in 1983, but also a conduit from the soft-psych and Byrdsian janglers through to the next wave of Elephant 6-ers and beyond. The band’s true genus lay in wrapping those jangles around a more modern hum – a soft pink fuzz wave that came crashing through in earnest reverberations that would setup the next generation to push the sounds even further past the gauzy glow already forming around a bygone era. In their early years, the band never pretended to be anything other than a psych-pop act and that influence-on-their-sleeve aesthetic probably makes them one of the most enduring Paisley bands.
The band would follow this up with the arguably great sophomore LP Explosions in the Glass Palace, which leaned a bit further into the College Rock impulses springing up in 1984, but it still stands apart as an essentially Paisley platter. They’d issue the live record Beyond The Sunset and sign to a major (Island) for 1986’s Crashing Dream but neither would live up to any sort of reputation that those first two releases have garnered. Guitarist David Roback went on to play in Mazzy Star, keeping the hazed psychedelic vein flowing and the band would reassemble (as all bands seem to do) in 2012 and 2013 for a tour. There’s even a new record on Yep Roc this year. Third Rail (despite Ryley Walker’s assertion that Glass Palace is the true masterpiece) remains probably the most essential Paisley release of the short-lived movement. Though, labels notwithstanding, it’s just a great pop record to have on the shelf, and now, after 30-years, you can nab one again.
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