On the last couple of Purling Hiss records, they cleaned up their sound, dusted off the fuzz of any lo-fi shackles and made for the studio. In the process they may have walked a bit far from the grit that kicked the band into the world all those many years ago. Weirdon brought some jangle and kept true to its namesake of injecting an oddness into their world. Water On Mars was a studio pop juggernaut sanded of its rough edges. Now they seek to walk it all back a bit, finding a thread of grunge in their matured sound and striking a nice balance between the slicked back rock of Water On Mars and the amplifier overload of their early works.
There’s been a lot of fluffed up think pieces that float the notion that guitar rock has no place in 2016, that the guitar solo is dead, that this sound has come and gone and its not moving forward; but that talk seems to miss the point of great guitar rock, perhaps especially in 2016. Its about burning clean the weight of the world and letting the feedback singe away the top layer of bullshit on any given moment. Mike Polizze has always known the power of fried and fraught rock, the kind of scorching, fuzz soaked platters that can test the limits of a stereo system from the first four chords and lay waste to weaker contenders with ease. He’s still got that spirit in his heart and High Bias brings the growl back to Purling Hiss to help digest an American sense of unrest that’s permeated daily life.
Polizze’s finally found his balance, its probably his most outright catchy record, but it never comes off as pop in the truest sense, its rock, towering and infernal, lighting that fire and feeding on the oxygen of unrest. Its not a protest record, but its not a lighthearted affair. It culminates in the highwater mark “Everybody In The USA,” a song that seems to sum up the rest of the record and let it all crumble beneath a seismic crunch of guitars and ragged fury. If the band needed to wipe away the rest of their catalog and leave only this behind as a statement of purpose, then it would still leave a pretty outstanding legacy for them. Its the kind of record that feels like like Polizze finished it, sat back and just said to himself, “yeah, that’s the sound… that’s what I’ve been looking for all these years.”
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