Pointed Sticks – Perfect Youth

The world is steadily knocking the dust from some of power pop’s most coveted gems and a new reissue of Pointed Sticks’ essential debut is a welcome addition to 2018. The last time that Sudden Death (who took over the reigns from original label Quintessence Records) issued this was back in 2005, but it’s no less necessary more than a decade later. Among the best power pop albums with the worst covers, the album is best known for the title cut, a bubblegum jolt of punk that’s brimming with ecstatic snap and an earworm chorus. Though the single is no an outlier in this collection thanks in no small part to the work of newbie producer at the time, Bob Rock. The industry go-to, who’d go on to hammer out hits with Aerosmith, Metallica and Mötley Crüe found his start with this as the first album under his belt, likely as a result of his work on EPs the previous year for fellow Quintessence artists Subhumans and Young Canadians.

The album is a bright and brimming collection of power pop pushed through a tangle of jangle-pop that reveals an overt love for Elvis Costello while pushing the tempos and temperament into what would become the signifiers of pop punk many years later. Following the homegrown success of this album the band became notable for being signed to Stiff Records, though the label itself was falling apart financially at the time and wouldn’t officially release any recordings by them in its tenure. There are several comps that pick these up though. Recently, as is the case with bands that burn out too quick, they’ve found success in reunited form and recorded a couple of new albums, however, without a doubt this remains the pinnacle of their career. Those with an ear to power pop’s transition from the ’70s into the ’80s would do well to dig this up, and along with Teenage Head, they remains some of the best exporters of Canadian punk from the time period. Ignore that god awful cover and press on to the chewy pop offerings between the grooves.


Support the artist. Buy it HERE.

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