Permits

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Melbourne’s Permits come together like so many of the great bands circling the loose-knit scene in Australia these days — a few friends who all populate other great bands (in this case the Shifters, Pop Singles, Dag & Chook Race) knot up with a one-day session and wind up with a record that feels immediate, yet never half-baked. The band hit the studio in 2019 but due to pandemic life finished this one out over the course of 2020, swapping overdubs between the members via email. While the pedigree of bands the members are culled from speak to the crooked-smile careen that plays out here, the members seem to also be bringing the best out of one another in the studio, and more importantly having fun while they do it.

Pinned to a twang-riddled jangle, the songs on Time Permits are shaggy n’ shambolic, but not without a chewy pop center that’s hard to slough off as accidental. Underneath the saunter of drums and waggle of guitar, keys blush at the seams, a power-pop heart bleeds out the sleeves, and a tender brush of folk colors in the corners. The record takes a few listens to really slip under the skin, but once it does, its apparent that there’s a lot to return to here time and again. As with quite a few others this year, its a damn shame this one is coming out so late in the year, as I feel people are sleeping on this a bit, but here’s hoping this gets a few people into the ragged magic the band are making on Time Permits.




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