It’s hard to pin down Jesse Dewlow’s sound under the name People Skills. He squirms from rock shadows to acoustic dirge over the course of his new album for Blackest Ever Black, all rendered half intelligible under a broken VHS veneer of faded sound glory that seems recorded in an oil barrel under the sea. He’s at his best, though, on the chaotic clatter of “89¢ Public Render,” a junkyard hymn of electronic thrum and buzzing guitar beamed through a b-movie asteroid belt that picks up some odd bits of chatter. He’s been honing a sound that’s desolate and dark for years and its coming to a head on the intriguing Gunshots at Crestridge.
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