The Flesh Eaters were the brainchild of Chris Desjardins, often known as much for his fanzine Slash as he is for his musical contributions. Though the zine gave him the cred and the connections to the L.A. punk scene, what he did with those tools speaks for itself. After the cracked skin flay of the band’s ’81 album, A Minute To Pray A Second To Die, he whittled down his lineup of heavy hitters and perfected the burn on the album’s follow-up, Forever Came Today. Its often a toss between which album is considered the band’s masterstroke, but they’re really two halves of the same fevered vision. Desjardins’ acetone handshake vocals are in full effect, blistering and sliding between dark fury and full on psychotic howl. The guitars are slightly less barbed than they are on AMTPASTD, but hit with a focused attack, rather than just rip at the mind. Personally it seems like this record only refines the brew that was cooking up to this point and tightens up the wild rabbit punch attack of the band’s potent punk pummel.
This album came right dab in the middle of a solid run of Flesh Eaters records that would end with 1983’s A Hard Road To Follow before Desjardins would take a tangent into the more acoustic oriented Divine Horsemen and their run of early albums for SST. He’d then get the band back together in the ’90s with a new crew and some swings in genre that circled the punk drain but never quite measured up to these early exploits. After nabbing a copy of Superior Viaduct’s reissue of the previous platter, I’m excited for this one to follow. The label’s remastered the album and the sound does the record justice, showcasing this ragged classic in a new light for a new generation who most likely missed out on its bite the first time around.
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