The members of Hills are busy on the side these days, while her bandmates are prying open the Kosmiche window in Centrum, Hanna Östergren is treading equally cosmic territory with her new outing Laughing Eye. As the drummer for both Hills and the recently reformed Träd Gräs och Stenar, the project naturally lends itself to a rhythmic bent, but Östergren proves deft at creating atmospherics as well as a polyrhythmic pound. Travelling down similar territory to Sagor & Swing she weaves organ, strings, and percussion into a trance that recalls folk raga with a chilly Noric bent. The eponymous record pulses with a cold beacon of light but its hard to see if the pulse is coming from the mountaintop of from a low hanging satellite. Östergren’s music is equally at home in the meditative state as it is grappling for the outer edges of the ionosphere.
The first side is built with shorter pieces that all dip into transcendental territory, but it’s on the album’s nearly 17-minute closer where Östergren really shines. The track builds from warbling hums, adds in mournful flutes crying solitary tears to the cosmos. The track reverberates with an uneasy energy, giving off both a calm and a menace all at once. It’s the soundtrack to a resigned fate, paralysis on the precipice of the jaws of death. The whole album shows promise, but its this ending that makes me hope she’s got more of this coming down the line.
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