Kane Ikin’s Modern Pressure fits in nicely with the darker tones of Type’s roster. He’s got a touch of the soundtrack menace that Pye Corner Audio is channeling and plenty of the suffocating darkness of labelmate Vatican Shadow. Built on a minimal base of beats, synths and field recordings, the simple setup is actually less self imposed than socially imposed, due to the everyday pressures that Ikin refers to in the album’s title. Having to sell off pieces of gear to pay rent, the artist stripped back to the basics and the record is a bit better off for it. Not that I envy the artist his belt tightening, but it has wrought an excellent album with a taut and nervy sound, feeling like the walls might cave in at any moment. Though its hard to sit back and relax to Modern Pressure that’s not to say that these track aren’t infinitely enjoyable, as long as you like thrillers vs comedies.
There’s anxiety as the bedrock here, but more than that, many of the tracks have a creeping dread that’s sewn into the seams of Kane Ikin’s sound. The bass shudders through you solar plexus, the synths pool in glowing dread in the background and the beats click by slow and steady, as if waiting to strike. Its the kind of album that Type has become known for; calculated, precise and devastating all at once.
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