Jefre Cantu-Ledesma

On his last album for Mexican Summer, veteran noise sculptor Cantu-Ledesma took a step towards accessibility. The album was still steeped in decaying waves of noise but it squinted into the sun every so often with a kind of shimmering beauty that let in a crossover of fans of shoegaze or more straightforward brands of electronic music. He doubles (maybe even triples) down on the concept for the follow-up and with On The Echoing Green he creates his most overtly pop album yet. The step towards pop is properly enabled by Green being his most collaborative work in a long time.

Chief among those collaborators is the siren call of Argentinian singer Sobrenada, whose voice fades in and out of the compositions on On The Echoing Green, blinking between the beautiful shards of Cantu-Ledesma’s sonic ruins. The album bleeds into the shoegaze world wholeheartedly this time, no half-measures. The slow, contemplative builds of the songs use noise as a trowel to shape their wall of sound, rather than seeping some shimmer in through the cracks of a house of noise, as was the case with A Year With 13 Moons. The result is a gorgeous, fragile, and tender record that occasionally lets itself be lacerated by Cantu-Ledesma’s past.

While there are some contenders, this might be the headphone record of the year. Cantu-Ledesma’s horizons of quaking bliss wash over the listener like a cocoon of lost emotions. He’s always been a master of soundcraft, but here he proves that he can let a little sun shine in without letting his carefully curated world crumble.

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