For his second album as HOLY, Sweden’s Hannes Ferm uprooted his life and slowly began to dismantle the sound he’d built on his previous album. The band’s debut was rooted in a brand of garage-pop that’s not out of line with many of his labelmates on local hub PNKSLM. As he shifted to his new home of Stockholm and his new digs at Studio Cobra, however, he looked to lush works for inspiration and began a journey to a double LP concept record about deep personal change, alienation, and the nighttime. It’s a subject that would seem to inspire quiet introspection and the soft pluck of strings, but not so in Ferm’s world. He envisions the night as glimpsed through the kaleidoscopic swirl of traffic signals, brake lights, and neon signs under the sway of melancholy and psychedelics.
Ferm calls out Todd Rundgren’s classic A Wizard, A True Star as inspiration and that’s a telling germ to cite. All These Worlds Are Yours takes a similar tact of diving into songs that explode with pop colors and softly strung hooks, then clipping them short right when they’ve got you in their sway. He pulls a pop one-eighty on the listener quite a few times over the course of the record’s tenure but rather than knock the listener off track, the technique just adds to the dizzying funhouse that Ferm has constructed. The album is rooted in glam’s opulence, but not it’s rock candy crunch – there are no fuzz-tones or Bolan-sized amp rumblers here. Instead, Ferm has built a velvet-draped dreamland that’s powered by reverb and light.
It’s a huge step forward for the artist, leaving behind his humble rock beginnings to embrace the kind of mini-epics once favored by the members of The Elephant 6 Orchestra. With the help of producer Martin Ehrencrona (Les Big Byrd) he’s captured the heartswell of emotions that accompany youth’s moments of alienation, revelation, and reinvention, then used them as a neon engine for creativity. All These Worlds Are Yours sounds every bit like it could have come down in Dave Fridmann’s heyday of panoramic psych-pop and that it was largely self-done speaks volumes to Ferm’s talent and to his promise for the future.
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