Gnod

Gnod have been increasingly harder to pin down over the years, wandering from rhythmic psych to desolate dub excursions and landing on the minimal electronic scrawl of last year’s Infinity Machines. So where does that leave them next? The clearest through line in all their work is an ever encroaching darkness and on Mirror that darkness is front and center. Packing in a lot more instrumentation than Infinity Machines this album finds solace in the strung wire post-punk drawn in black and grey shades that made Swans and PiL and Throbbing Gristle household names (depending on your household I guess). The album deals with mental illness and the increasing impact the presence of social media has in fostering schisms in personality and ego. Its a claustrophobic, anxious barrage that creeps as close as it can to the cliff without plummeting.

The album packs its oil caked pummel into just three tracks but each of those three build to an increasingly desperate plateau. By the closing track’s 18+ minute mind scratch, its hard not to spend the rest of the day wrestling with anxiety, feeling the walls close in and praying for rain. This is certainly about the bleakest set I’ve heard from Gnod, but there’s something comforting in its clangorous gnash. It feels like fighting, like pushing against the walls that have been imposed by unseen hands and in that regard Gnod have created a bit of a hopeful album as well.




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