Futuropaco

Somewhere in the future the spark of a great instrumental hip-hop record has been lit with the release of Futuropaco’s eponymous debut for the Danish label El Paraiso. The record, driven by Golden Void’s Justin Pinkerton, is doused in the drama of Italian Library Psych and Goblin soundtracks. It’s peppered through with the over-the-top, yet engrossing psychedelia that drove Jean Rollin’s best work and it could very easily have been disguised as a long-lost film score pushed out through Finders Keepers. It’s clear that Pinkerton has done his fair share of rifling through that particular catalog and has taken copious notes. Hell, they’re probably scribbled in the margins of a copy of David Hollander’s recently released Library retrospective, Unusual Sounds.

Worth noting, though, is Pinkerton’s background as a drummer as this adds a real streak of German Progressive punch to the record. While he’s steeped in the creepy atmospherics of the ‘70s Italians and twisted effects of French exploitation territory it’s that propulsive rhythm that keeps this record locked down and pushing harder than anything its emulating. The true classics of that era were tied to a hard edge that attracted beat fanatics, and Pinkerton’s vision of the sound skews this direction. His collector’s ear moves this well beyond just homage, though – with an alchemical attention on how to arrange psychedelic eras, Pinkerton, like his contemporaries Maston and Jon Brooks, has found a way to move the needle forward on Library psych. While, sadly, there’s no film digging into this particular well of instrumental goodness, it’s tempting to let the mind wander through Criterion-worthy scenarios drenched in technicolor and backed by Futuropaco’s psychedelic excess.



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