Ty Segall

Those of you in for the long haul on Ty know that the man loves a good cover, but more so than most California’s favorite son has always been an alchemist of the art form. Early seven inches often used the flip as a forum for Segall’s deep bench record shelf swoons – covering ground from Echo and The Bunnymen to Simply Saucer to The Groundhogs. Live sessions gave reason to scratch the psychotic itch with GG Allen cuts and then, of course, there’s a multi-year endeavor to cover as much ground on the T. Rex catalog as possible. What’s set Ty apart from your favorite ‘90s ska band pumping up the tempo on old Paul Simon cuts with a crass smile is that Ty’s got the perfect combination of taste and chops. He’s passionate about the source material, but not so precious as to deliver note by note recreations. On Fudge Sandwich he picks out a handful of faves deserving new life and gives them their own caustic twist through the lens of the fuzz kaleidoscope.

A multitude of singles comps have scooped up the best of the B’s in the past, but outside of those RSD Rex pressings this is the first time that Ty’s ripped into a fresh set of covers with the pure idea of breathing new life into old favorites. Its not a new idea, hell The Detroit Cobras made a damn good living out of this model for years. Still, Fudge Sandwich maintains vitality in a crowded medium, largely because in Ty’s hands any song can become newly exciting. As he does with Hot Chocolate’s “Everyone’s A Winner” from Freedom’s Goblin, Segall dirties up a fair number of his subjects – giving acid grit to War’s “Lowrider,” and injecting a fair amount of evil to John Lennon’s “Isolation.” He’s just as apt to strip things back, though, folking up The Dill’s “Class War” into a summer strummer that hits hard lyrically in 2018.

The rest of the set does its best to bring some standards to grind in the garage – fuzzing out Grateful Dead, Neil Young, The Spencer Davis Group and Sparks. He then sprinkles in some deeper cuts for the heads, hopefully opening up a few young guns to Amon Düül II, Gong and Rudimentary Peni in the same way he might have done for Simply Saucer and The Groundhogs before them. While the year already has its peak Ty release in the form of Goblin, this is a reminder that the man never sleeps and we all reap the benefits.



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