Flat Worms

There’s something fitting about Flat Worms naming their sophomore album after the last safe space in the world from a human contact perspective, while also naming it after one that’s in dire danger from humanity at large. Antarctica is a brittle, brutal, and quite honestly fair assessment of the predicaments we all find ourselves facing in 2020. Even before the proverbial rug was pulled from the amassed nations of the world, the band found themselves in a pessimistic crouch, uncompromising and unrepentant. Who else to bring these brutalities to fruition, then, but the patron saint of disposition himself, Steve Albini. The veteran producer gives little in the way of softness to the band and, in turn, they give little back. The record is fashioned in the mold of ‘90s rock that seeks to bring on a full body itch like an unwashed wool sweater. Though that doesn’t mean its not without comfort.

There are certainly hooks dug into their disdain, but they wear their frustrations on the surface first and foremost. The fire is warm here, but the smell of lighter fluid makes it unpleasant all the same. The L.A. band has been steadily building their sound over the past few EPs and singles — working up a ferocity that breaks loose on Antarctica. Their debut was lean and lanky, but this one’s put on muscle. The bass thunders but keeps its hips limber. They lay down a bedrock of metal bitten rhythm that traces the tail of the Northwest down a rabbit hole lined with Wipers singles, Mudhoney deep cuts, and Green River nihilism. The leads scream from the strain of feedback and bile. There’s been a revival of ‘90s impulses lately, it was bound to happen, but few of the revivalists have dug into what made the crux of grunge vital like this trio has. With this album Flat Worms find that same match strike that melds the hip-thrust hunger of metal with the careening trajectory of punk. Nostalgia be damned, this one feels like its got a talon in ya, and the twisting is both brutal and glorious all at once.



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