Dragoons

Coming in pretty quickly after the band’s 2019 record Dragoons Are a Band!, the Aussie quartet’s latest scraps their past formula in favor of a wider sonic vista. While the last record still had plenty of ambitions for an indie-pop record – launching songs into extended breakdowns and gilding them with a light dose of extraneous instrumentation – on Horrorscope, those impulses have been elevated to the fuel that drives the album. While there are still songs rooted in grit-teethed indie grind and blunt force post-punk (“Horrorscope II”) the album plays with form, fusing psych-jazz itches and instrumental interludes into an album that plays like a suite of songs rather than merely an assortment of likeminded tracks.

Slashed with sax and soaked in organ, the record tips the scales between the fury of The Fall (something they share with members’ other band Clamm) and a proggier direction that’s lit on the coals of groove. Giving post-punk soul, the band plays like Parquet Courts pairing up with Al Doum & The Faryds. The angles smooth, but they still seem to cut just as deep. If this is the direction the band aims to wander then I’m game to follow them down into the dirt. While their peers are content to jangle and scuff their hooks with the scent of the ‘70s downtown debris, Dragoons seem to be searching for a singular spice, and for the most part they’ve found it. It’s a short shock of a record, but it’s proving to be one that I’m eager to return to again and again.

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