Sometimes context is everything. In most contexts the mouth harp is a bygone piece of a quainter time, an ancient ritual or simply a toy that hasn’t passed a thought since childhood. Dozzy too picked up the inspiration from a childhood fascination with the instrument and revisited it as an extension of his own lean towards trance an an electronic outcropping. Here he finds the ties of ancient, ritual trance with those of newer artists seeking to open the same sonic chasm through hardwired drones and pulses. The mouth-harp is a more visceral experience, though simple in construction, it tends to throb through the player and add a layer of physicality to achieving trance through repetitious drone. Dozzy records the instrument in locales both indoors and out and drops the thrum into hallways of echo, expanses of calm and beds of analogous hum. As with his previous album Sintetizzatrice which used only voice laid into a context of dub experimentation, here he plays a bit of dub wizard to the instrument, letting the repetition of reverberation lull the listener into a cozy state of meditation. By the time the needle skids to a close its almost easy to forget that the bulk of the weight her is on the tines of the tiny instrument and not on much heavier means of drone deployment, and perhaps that trick is DD’s best. The old is new again and primed for open minds.
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