Wand showed a portion of their soft underbelly on their last LP, 1000 Days. They still employed the growl of explosive guitar but sketched out more texture, filling the sound space with plenty of new shades and shadows. Swooning strings and buzzing keys smashed into walls of echo. They flirted with psych-folk but still sat pretty solidly in the fuzz-psych camp they’d been born out of. Its clear, though, that the band’s Cory Hanson had a big part in that textural shift, and that he had more in him. Taking a solo departure from his bandmates, Hanson strips the sound all the way back and sets the incense aglow for a wander into psych-folk proper, though a strain that leans in on the orchestral cues he’d seem to favor previously. Those strings are brought to life by Heather Lockie, who has previously played with Spiritualized, Eels, Sparkelhorse and Love. Her arrangements take what could be just a folk diversion and push it into a lovely bit of bittersweet pop.
The tone on The Unborn Capitalist In Limbo is wistful at its lightest and downright mournful for the majority of the record. Hanson draws from a wealth of folk artists that found their muse in the rain splashed territory between heartbreak and utter depression. There are touches of Roy Harper, Bill Fay, Nick Drake, Donovan (at his most wistful) and even Al Stewart in the batch of songs that Hanson has put together and he’s working towards the kind of gutwrench with a shiny wrapper that those artists excelled at putting together. Whether this side of Hanson remains dominant, ekes its way further into Wand or stands as a single album impulse remains to be seen. But in embracing the sweep of sadness, he’s left a document of heartfelt ennui that shakes off saccharine for a lasting impression of sighed resolve that helps to lessen the lump in your throat.
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