Constellation Tatsu brings together two names in ambient music divided by massive swaths of land (Celer in Japan, Forest Management in Chicago) but united over the impact of the film and novel versions of The Mosquito Coast. Landmarks was recorded separately and assembled in traded session between the two artists and it captures the humid tension of Peter Weir’s film particularly well. The collaboration is stark and gorgeous, cut with field recordings and a knife’s edge balance of the overwhelming madness that lies as the heart of the story they’ve chosen to interpret. The two artists blend their styles with John Daniel (Forest Management) thickening the sound with an omnipresent hiss that feels tactile, as if its threading its way through the listener’s ears. Will Long (Celer), meanwhile, adds an element of tension and emotion that stretches a bit further than his collaborator is often willing to go.
That they lean on each other’s strengths makes this a crossover album in high esteem. Each artist brings their brush to the table and adds without overshadowing the other’s strokes. The result is an ambient album with a heavy emotional heart that grips the listener hard and leaves a mark. The idea of a retroactive soundtrack to a film that’s more than thirty years old seems itself like a thankless task, but whatever lit the inspiration in their shared experiences with the impact of the film appears to have wrought an album of claustrophobic dread that can stand on its own for listeners who’ve never once encountered the tale of man at odds with madness and its impact on his family. The two have crafted and album that’s haunting, heavy and oddly spectral. It shines while succeeding in its attempts to suck all of the air from the room.
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