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School Damage – “Meeting Halfway”

School Damage swing in with their second single off of the upcoming A to X and it solidifies this as one of the top tier releases to get excited for this summer. The track’s a Jake-led ripper charging in high on a swell of keys and backup coos. It’s proof positive that the band has wrapped up post-punk and jangle into the perfect pop package for hot weather hi-jinks. Sweetening the pot is an excellent stop-motion video that’s an aesthetic match for the song’s off-kilter pounce. Much respect to the band’s Carolyn Hawkins for the time-intensive process it must have taken to get this together. If this record isn’t on your list of pre-Fall necessities then rectify that immediately. The LP’s out at the end of August on Chapter Music.

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Terry – “Bureau”

Have I been able to contain my excitement over the new Terry LP? Not quite. The band’s on a streak, with two great LPs under their belts already. The third LP shows no signs of flagging as they continue to mine a strain of post-punk peppered with twang and salt n’ honey harmonies that are soothing yet unpolished. The band let loose one of the album’s most ecstatic singles, “The Whip,” a few weeks back and now they follow it up with the cooler-headed “Bureau,” a stunner in its own right. Terry’s strength lies in an ability to push past any of the well-worn ruts of post-punk. They’re embracing the ethos of bands who were set free to run dub and punk and pop together into a caustic clash, but they’re not tied down to the set of stencils that so many modern makers seem to use.

They pair the new song with a grit n’ glare video that’s transportation heavy – grabbing the ‘70s aesthetics and pushing them through a DIY filter. Its all good fun and serves to further the excitement for the Upset The Rhythm release of I’m Terry at the end of the month. If you’re in the UK, they’re even trotting the show out live (lucky bastards) so hit that up to see how these songs shake out in the room.



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Moody Beaches – “Modes”

Moody Beaches debut, Weird Friends is a terse, nailbitten romp through ’90s stomp that’s built on muscular riffs and urgent vocals. The band knocks through a hit list of influences that scoop up Breeders (round about the Pod days), Green River and L7 vibes. The wax finally hit the shelves last week and in turn they release a third track off of the album paired with an occult-themed video that bottles up menace in the track. Definitely recommended if you’re knocking through essential Aussie releases this year.



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The Shifters – “Straight Lines”

Aussie scrappers The Shifters caught my ear with their first single, the rat race takedown “Work, Life, Gym, etc” and they don’t disappoint with another sneak peak into the workings of the upcoming Have A Cunning Plan. “Straight Lines” digs into the current OZ trend of shaggy indies that feel like kitchen sing-a-longs – true embracers of the slacker-pop ethos, the recline into the comfort of this track and can’t help but make the listener feel included in the camaraderie. The song is stuffed to the stitches with jangles and woozy keys and a low-key day in the life tale of taking the edge off and avoiding responsibility. The track’s a charmer, which could easily be said about the whole of their upcoming LP for Trouble in Mind. Don’t snooze on this one.




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Doe – “Heated”

UK trio Doe follow on their 2016 album, Some Things Last Longer Than You, with a sophomore record for Glasgow’s Big Scary Monsters (on Topshelf in the US). The album embraces themes of getting older, finding freedom in maturity and solace in death. While the subject matter is heavy, there’s still plenty of room for hooks. The first track, “Heated,” dredges up visions of ’90s crunch pop from Veruca Salt and they’re picking at a lot of the same alt bones that drove last year’s standout from Charley Bliss. The band aren’t content to be backed into a genre corner, though. The track pushes and pulls between quiet, grinning contempt and explosive fuzz riffs that push for the kind of catharsis that fits their aim of growing up without letting the anchor of youth weigh you down or tie you up. Gonna want to hear some more of this record, but this is a nice opening shot and a step up from their DIY past.

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Our Girl – “In My Head”

UK indie trio Our Girl have had some excellent run up singles in advance of their debut, Stranger Today. They pair their latest cut, “In My Head,” a dark, rumbling burner slashed by moody guitars, with a surreal cut n’ paste video that drops the second Michel Gondry reference of the day. The band cites The Science of Sleep as an inspiration and it’s easy to see how the collage work pulls from his melancholy love story. The track is a sobering tale of miscommunication with a cooldown hook and a frothing scratch of feedback that threatens menace from behind the somber vocals. The band’s record arrives next month and this video serves as a pretty strong argument in favor of putting in on the ol’ wishlist.

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David Israel – “Car Commercial”

Some prime jangle-pop coming your way from David Israel via his new single “Car Commercial.” The cut is off his recent LP for Austin Town Hall’s in-house (in-hall?) label. Built on a bed of buoyant guitar, the track lopes along with a quick step before aerating into a spacey mid-section that sends the sunny surf vibes off the rails and into the cosmos. Underpinning Israel’s deep-set vocals, the track is a bundle of contradictions that all work to form an alt-pop nugget that’s hard to shake.

The visuals here bring to mind Michel Gondry’s DIY dreamscapes, pulling prospective car buyers through a virtual reality headache with Israel giving the hard sell. While the single’s a standout, it’s definitely worth checking in to the rest of this record as well. Its got a bevy of Austin talent on board including members of Literature, A Giant Dog, and Sweet Talk. Check out the cable access vibes and sprightly jangles above.



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The Goon Sax – “Make Time For Love”

For their sophomore album, Brisbane’s The Goon Sax have taken all the scrappy sincerity and stripped back brilliance of their debut and pushed harder until they’ve shined their sound into pop perfection. The band is till hitting on some heavy hitters from the new wave / post-punk grab bag (they cite time spent with Liquid Liquid and ESG on the speakers) and much of that era’s rhythmic jerk comes through on “Make Time For Love.” The song’s nowhere as dry as either of those would let on though, pinning those rhythms to the grandiose melodies of Talking Heads and Talk Talk, then flooding the track with sprightly horns and swooning strings.

They do the song one better by conjuring up a dazzling video that’s filled with fantasy, animation and stark black and white relief. If I weren’t already pretty damn excited for this follow up to their 2016 sleeper hit, this would likely be the kicker. The new LP is out September 14th and from all accounts this one’s going to be a high-water mark for the band and 2018.



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The Babe Rainbow – “Eureka / Alan Chadwick’s Garden”

The Babe Rainbow shine on a second single from their newly released album Supermoon. “Eureka” blends psych-funk hooks with eastern touches of raga that blend right in to the instrumental follower “Alan Chadwick’s Garden.” While the album has a few lulls, both of these tracks show the band dipping into their pop and psychedelic strengths. They pair the tracks with footage from the 1971 documentary ‘Garden’ directed by Michael Stusser, and the period appropriate vibes and garden imagery feel like a perfect match for the tracks.

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School Damage – “Assimilate”

In further proof that 2018 will be bad on my wallet, good on my ears, Melbourne’s School Damage have a new album on the way. Their sophomore LP for Chapter Music starts off with “Assimilate,” a slightly less bare bones take on their New Wave / Post-Punk bullseye that usually sees them working the wires of Young Marble Giants, Galaxo Babies and Devo into a nervy pile of art punk. The band still cuts Exacto angles out of pristine pop, tacking their guitar shards to staccato beats and pillowy synths that refuse to sit still. This time ‘round though the band is filling up every corner of the composition, fleshing out the edges with a bigger sound that’s a step removed from their brittle, yet charming debut. In particular Carolyn Hawkins (see also: Parsnip, Chook Race) fills the ‘phones to the brim with her barbed accusations and those synths buzz like a wasp’s nest rendered out of cotton candy. Can’t wait for the rest of this one to come tumbling down the line, but for now “Assimilate” and its equally effervescent collage barrage of a video are sating my need for pop wobble today.



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