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Woods – “Where Do You Go When You Dream?”

Well I’m sure I’m not the first to tell you about this one, but its not every day that Woods give word of a new record on the way. The band’s been working on this one for a comfortable stretch, coming in as their eleventh album after 2017’s Love Is Love, with only a collaboration with Dungen sneaking in between. Their last was a response to political shift following the upsets of 2016, but now the feelings have had a bit more time to simmer. The first single “Where Do You Go When You Dream?” continues to act as balm, but this is also a decidedly mature and elegiac Woods. The song floats on a breeze of keys, drifting away from some of the sunny strums that have marked their past works. Its a melancholy track, steeped in memory, family, and friendship. Ochre-hued harmonies, full-fleshed production, and Jeremy Earl’s wistful vocals herald an album that moves the band into a new phase of their career with grace and ease. The record is out May 22nd on Woodsist.



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Jess Williamson – “Wind On Tin”

Very glad to see that the country croons of Jess Williamson have returned this year. In her absence there’s been a wealth of great voices added to the sunset striains of alt-country, but her’s has always been a welcomed voice in the genre. With a subtle swish of the cosmic fabric, Williamson wields melancholy through the stardust whispers of the wind. “Wind On Tin” is a spiritual sojourn born out of grief in a dessert town. Williamson claims she’s heard god on the wind, “God” or something else — nature, the vibrational thrum of the earth, the strings of the cosmos. Whatever was on the wind is strung with the fiber of the universe and her song ruffles the same hairs on the neck that may have sprung to life in her hearing. The video, directed by friend and collaborator Eli Welbourne plays into the myth of the mournful cowboy, but its saturated with just the right amount of divine light. Williamson’s new album is out May 15th on Mexican Summer.

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RVG – “I Used To Love You”

Couldn’t be more excited for this one. Aussies RVG released an instant classic LP in 2017 – a record that was draped in emotional weight almost to the point of breaking, but so steadfastly resilient that it seemed like a life preserver flung into a sea of sadness. As is fitting, others responded to the sweeping grandiosity and laid bare honesty of Romy Vager and her band and they shot from the small scale to larger avenues. With a new LP on the way from Fire Records, produced by Victor Van Vught (PJ Harvey, Nick Cave) the band follows up one of their most crushing singles, “Alexandra,” (also on the album) with a taste of what’s to come.

While it’s hard to top the heart wrenching “can’t go home again” anguish of “Alexandra,” RVG still come to stun with the quiet composure of “I Used To Love You.” The song doesn’t crack into the emotional dam break that some of their past singles have, instead opting to operate as if holding back tears, not giving the subject of the song the satisfaction of seeing them suffer. There’s the feeling that after the dying notes of the song at least a few tears are shed for self-preservation, but the rest is a brave face cushioned in the resolve to move on to better things. The new LP is out April 24th.



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Sir Richard Bishop – “The Coming of the Rats”

Another dark rivulet of folk pools out of the upcoming Sir Richard Bishop LP this week. “The Coming of the Rats” is decidedly tempered when it comes to string velocity, compared to the tangle on previous peek “Celerity,” but the measured pace doesn’t dull the impact. Creeping with the kind of menace that would befit that title, the song shows off contact burn electric leads dueling with the quiet lope of acoustic for a cut that’s etched with soul collapse and bile. The song reeks of an internal struggle against better instincts, succumbing to a darkness that threatens to consume. The album is on its way April 17th, and this only makes the wait harder.



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Chris Forsyth & Garcia Peoples – “Dreaming in the Non-Dream” live

Over the last couple of years Chris Forsyth has been teaming up with Garcia Peoples in the live setting to form the Peoples Motel Band and the results have been nothing short of transcendent. Playing cuts from his 2017 album Dreaming in the Non-Dream and fleshing out the full force of All Time Present Forsyth and the Garcias have acted as a symbiotic live unit, finding an almost telepathic link on stage and letting some of his heavier gems crystallize into their fullest potential. That’s precisely what’s happening on the upcoming live document Peoples Motel Band: Solar Live Vol 3., recorded live September 14, 2019 before a hometown crowd at Johnny Brenda’s in Philadelphia. For this one, they add in a double drummer dynamic, with Forsyth regular Ryan Jewell trading sticks with Cesar Arakaki from GP. The set was captured live to tape by Forsyth’s longtime studio collaborator, engineer/producer Jeff Zeigler an the sound is probably one of the most crisp and clear recordings of Chris I’ve heard yet.

Thankfully, there was also a camera crew on hand to complete the capture for those of us not blessed to be in Philly that night. The multi-camera vid, along with Jeff’s audio puts us all right into the sweat box with ‘em for a huge, hairy, peak n’ valley, knock down and pass out version of Dreaming in the Non-Dream. Its always an argument what a band like this can call a definitive version of a song, but this might be getting pretty damn close. Check out the video below and grab an LP before they’re gone, because its getting close.

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Mapache – “Me Voy Pa’l Pueblo”

Ah some warm relief to the endless crawl of winter days. Mapache release their second taste of the upcoming Liberty Street and this time they apply their layered harmonies and laconic strum to a classic song from Los Panchos. The ache that the pair bring is hard to ignore as the song lilts on the breeze, barely letting itself alight in your heart before it flutters on down the shore. They pair it with a sepia saturated video that breezes by in the same spirit of the song, directed by Laura-Lynn Petrick. Chances are if you were already easing into the band’s last sunkissed offering, this may be just the thing you’re looking for. Record is out March 20th from Yep Roc.
HERE.

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Cable Ties – “Self-Made Man”

Fully excited for America’s embrace of Cable Ties. The Aussies have long been a staple here on the site and their move to Merge only goes to prove they’re the band we need right now. The trio takes on the prosperity gospel of bootstrap billionaires in their latest, “Self-Made Man.” The current political race / everyday reality of our country (and their own) pretty much plays out between the bars of the four-minute firestarter. As always Jenny Mckechnie’s sonorous screeds etch themselves into the consciousness with the ferocity of the best youth anthems. Cable ties are the air raid rabble that ignite the soul. I can’t wait for this one to land on the decks. Play this one louder than you think appropriate wherever you are today.



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Wasted Shirt – “All Is Lost”

Another great single/video from Wasted shirt seeps out into the atmosphere and its an offering at the altar of gnarled noise that won’t be ignored. The duo of Ty Segall and Brian Chippendale is pretty much everything you think that combination would warrant — frantic, frazzled, brutal, and, well, beautiful in a way. Their brand of noise-punk chews glass and spits out the dissolved shards of shape and shake onto the pavement below. There’s something inherently heavy about “All Is Lost.” Its a nihilistic grind through the futile ravages of time in an era when each day seems to bring new horrors. This was a frustrating week on a national level, perhaps nothing can sooth the savage burn like Wasted Shirt right about now.



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Melenas – “3 Segundos”

Have to say, pretty much everything that I’ve found emanating out of the Spanish underground has been a charmer, from punk blasts to indie strums the bands have a way of making the most of their sound. Usually the offerings are coming from the heart of Barcelona, but Melenas hail from Pamplona and aim to make it a hub of its own. “3 Segundos” is a tightly wound tub of indie-pop with a lock-step drum beat anchoring fuzz guitars at full froth and an incessant chorus full of sing-song ‘ba ba ba ba’ refrains. They pair it up with a memorable video that slices together childhood television memories into green screen chaos. It’s a nice hook into what the Spanish four-piece or proffering on their upcoming LP for Trouble in Mind, out May 1st.



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Lewsberg – “From Never To Once”

Been chewing on this Lewsberg album over the weekend and both the singles have hit hard. In a way there’s a want to stay away from the VU tag, but hell, it’s hard not to lay that one on them. The band makes the low-key twang work for them though, opening this one up with the male/female vocal interplay that rubs away some of the stiff aloofness that usually accompanies bands holding the Reed/Cale template in sway. The Rotterdam band employs a swagger to their sound, letting the rhythmic rumble of minimal guitar roll over the listener in waves. They break the wave with the hesitant tension in the middle, playing with the listener before crashing back into the pull of that groove. Definitely an album to look out for when it hits on April 24 from Texas stronghold of sound 12xU.

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