Browsing Category Tracks

Tomorrow The Rain Will Fall Upwards – “…And I Tried So Hard”

The purposely elusive Tomorrow The Rain Will Fall Upwards returns to Blackest Ever Black for a new long player that from all indications will be a really interesting listen. The first track proper is a slinking bit of calm tranquility that builds on angelic synths and swirling bliss. The cut emerges from the gauzy vortex for some piano fragility that builds the runnout to euphoric heights. Its a gorgeous track that can’t help but lift your spirits, even just a little bit. As I said, from the sampler that BEB just put out for the rest of the album, it sounds like the rest will weave all over the place into a mash of delight and cacophony, which sounds just perfect. Excited for this full length to unfold over the next month.




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EZTV – “High Flying Faith”

I came sorely late to EZTV’s first album, but the band’s timeless touch on the power pop paradigm seemed far too welcomed to pass up. Now the band stands on the verge of a follow-up and it sounds even more polished, working through the Byrdsian touches that found their way down to the likes of Shake Some Action-era Flaming Groovies and the bigger vistas of The Raspberries or later period Big Star. They’re fully gripping that hold on pop shimmer and this time they’re bringing Jenny Lewis along for the ride with some subtle backup vocals. Frankly, there couldn’t be a sweeter touch to add to any crystalline pop song than Lewis’ bourbon and honey drawl. The song fairly melts out of the speakers like sugar dissolving in water. Every note feels perfect, but not in a cloying way. EZTV have a timelessness that hits like the sweet pang of nostalgia rather than the hot slap of kitcsh. If this is how they’re rolling out of the gates for High In Place, then I’m pretty damn eager to hear how the rest plays out.



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Rhyton – “End of Ambivalence”

Rhyton rides again and its sounding as sunburned and tangled as ever. The Brooklyn trio includes RSTB fave Dave Shuford (D. Charles Speer, No-Neck Blues Band, Coach Fingers) along with Jimy SeiTang (Psychic Ills, Black Dirt Oak) and Rob Smith (Pigeons) all laying down a gnarled path of guitar that saunters down some of the same lanes that Sir Richard Bishop, Rangda and D. Charles himself have found themselves lost on these past couple of years. There’s a nervy and dangerous quality that lurks just beneath the surface and Rhyton deploy mystique and atmosphere with the same deft quality as they dish out technical prowess. Though the mind is rarely thinking about the complexities of the track when its got as much movement and finesse as “End of Ambivalence.” Just a taste of an album on the way towards the end of the month and from the sounds of it its going to be worth the wait.




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Grumbling Fur – “Acid Ali Khan”

New music from the likes of Alexander Tucker and Daniel O’Sullivan would lead the drag of the needle to pick up something in the doom-folk territory, or perhaps burnt cater metal; but both halves of this duo push even further away from their legacieson their new record for Thrill Jockey. Under the name Grumbling Fur the pair are injecting a bit of their dour countenances into synth pop that’s heavy on the grey-skied vibes than most but still feeling like it has a pulse. They’ve collaborated under the name on a few releases but this is the most surefooted its ever sounded. They’ve certainly been pouring over their Cure catalog and elsewhere the lean into solo Eno is certainly apt and more than welcome. Tucker’s voice gives off a bit of his own brand of heartache though and it pairs nicely with the new change in direction. The track, the first taste of their new album Furfour is a slow grower that unfolds over time. The album is primed for September and features contributions Charles Bullen (This Heat) and Isobel Sollenberger (Bardo Pond).



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Les Halles – “Thresholds”

Not Not Fun has skewed more mutant disco in the last few years but its good to see there’s still some melted psych odysseys to be found among the band’s varied stable. French musician Baptiste Martin has been crafting psych landscapes for a few years in relative obscurity on labels like Constellation Tatsu and Noumenal Loom and now he’s bringing a double shot of languid washes to NNF. “Thresholds” melds drifting keys with Amerindian flute samples and views them through the undersea ripple of a Jacques Cousteau nature doc, bobbing and lolling in the waves and peering at the sun through the refracted surface above. For those looking to cool down summer days or just melt into the deep green of leaves against sky, this is probably a best bet for the next couple of months.



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Mozes & The Firstborn – “Great Pile of Nothing”

So it would seem that the EP that Mozes & The Firstborn released earlier in the year was a tease and taste of a new album on the way. The first eke out of that long player arrives with “Great Pile of Nothing,” as clean and sincere a slice of power pop that ever graced these shores. Somewhere out in the world a shudder just ran down Matthew Sweet’s spine because he knows there’s a challenger on the horizon. The track hearkens back to the best of the mid 90’s and early aughts indie pop w/ a budget and I for one, couldn’t be happier to return to the big, crisp sound of guitars blowing stacks over sugar sweet odes to love and loss and creeping inadequacy. Bring back well-funded slacker pop. Do it already! The album, also titled Great Pile of Nothing, hits in September so mark your calendars, and in the mean time this nugget should be duly dubbed to cassette and popped into the deck of your beat to gears Tercel to blast at stoplights all summer long.



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Walter – “Poetics Of Space”

A harder look for Walter, the L.A. band that’s made of members of Meatbodies and Ducktails. They’ve definitely absorbed a few of their fellow L.A. brethren, leaning into a storm-wrung psych cloud that dredges up Wand comparisons for sure. The song is the A-side to a new single out for garage well-spring Famous Class and hits in full in July along with a new b-side, “Like The Fly”. Ominous and doom laden, this is a good look for Walter and a step up in my opinion from their eponymous album from last year. The best change is that Chad Ubovich’s recording bumps up the fidelity and gives the band a bit more punch. The ozone fried volume paired with a headspun space rock bent lets the song fully embraces its title. Great to see this band developing along with some of the best bits of the L.A. underground. File it next to your Mind Meld, CFM and Meatbodies 7″s for maximum impact.



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Ben Chatwin – “Inflexion”

Ben Chatwin’s last record, The Sleeper Awakes was a grey-skied masterstroke of noise-flecked neo-classical. His solo works find the deep ravine of sadness and rub cold dirt into the wounds, feeling somehow achingly painful and coolly soothing at the same time. The first bit of his new record for Ba Da Bing is just a quick flicker of the match but it hints at another album of cloistered and creaky compositions. Sounding every bit like the slow creep up the stairs to a dark childhood secret, the track pads in on soft dulcitone feet and that creeping music box feel runs up the listener’s spine with icy expectation. It appears most of the album centers around Chatwin’s use of pianos and, like the dulcitone, piano-like hybrids. This is just a tiny morsel of the album, but few bites have ever left me so hungry for more.



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Cool Ghouls – “Sundial”

Its always good to have Cool Ghouls back in my life, and on the verge of Summer no less. The first peek at their upcoming album, Animal Races is steeped in the same ’60s jangle that has long defined them, bringing up thoughts of a more swooning Byrds or Flaming Groovies during their Cyril Jordan years. Kelley Stoltz continues to be the secret weapon in any band’s back pocket. He imbues the track with a sparkling view of the pop paradigm they’ve been itching at for the past two albums. The track practically pools with cool water harmonies and warm breezes and every note is ready to tug at a the heart with just a subtle twinge of nostalgia for lazy days with nothing to do but watch the waves. No doubt this is just the first thread to pull before the rest of the album unravels in cascades of sunny West Coast pop goodness.



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Acid Mothers Temple & Melting Paraiso U.F.O. – “Nebulous Hyper Meditation”

Why is it I’m somehow both surprised and not surprised that there’s never any clatter about a new AMT on the horizon? The long running (21 years!) Japanese psych lords are reaching a new chapter with the exit of longtime rhythm unit Shimura Koji and Tsuyama Atsushi, and with the addition of some youngblood players, Makoto Kawabata seems to be invigorated on this latest cut. It creeps in on sweeping synths, swirling and illusory as quasars, while Kawabata locks in his guitar to euphoric bliss. It seems that we’re never too far from one Acid Mother’s release or another, but that’s no reason to go taking ozone burners like this for granted. Someday there won’t be any more Acid Mother’s Temple, and on that day I assume there will be a collective funeral from the heads of the world, the band lifted off in a Sky Burial/Viking Funeral type situation that turns supernova overhead. But for now, cherish the gifts that come down the mountain.



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