Nashville’s Paperhead are one of those band’s I’ve been waiting on to take the bump up to a full-on widescreen approach. They’ve been seeding some great psych-pop over the years, embracing the lo-fi trappings of the times on their 2010 debut for Infinity Cat and the eponymous follow-up LP on Trouble in Mind a year later. They’d hinted at a bigger scope on Africa Avenue, but its this wide-open slice of psych-pomp, which embraces huge atmospheres, lounge jazz, blue-eyed soul and a ’70s hangover of indulgent (yet glorious) major label epics, that feels like they’ve finally found themselves. The bi-lingual romp from their upcoming album, Chew, drops in flutes and sumptuous horns to the mix of fuzzed out guitars before breaking down to a psych-soul outro. Can’t wait to see how this fits into the scope of the whole album. It feels like a great first step towards the band embracing their full psych-pop potential.
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