Browsing Category Tracks

Zachary Hay – “3”

It’s always time to stop and listen when a new one rolls down the roster from Scissor Tail and today’s no exception. The label is releasing the debut from Zachary Hay under his own name. He’s previously stayed tucked behind the monikers Bronze Horse and The Dove Azima, but this time he’s stripping it all back and letting his own name hang on the door. The album is a sparse slice of American Primitive folk – cut from the cloth of Fahey and Basho, but tied tight with the discarded threads of Loren Connors, Tashi Dorji, Bill Orcutt, and Scott Tuma. There’s not the same type of fluidity that would befit a Fahey acolyte, but there’s more movement here than Connors usually lets take hold. Hay falls somewhere between the ripple-pickers and the 4AM dirge hunters. There’s a couple of tracks up now, all equally haunted and hollowed so it bodes well for the full release when it slips out on November 22nd.




Support the artist. Buy it HERE.

0 Comments

ARP – “Voices”

Following on the success of his 2018 album ZEBRA ARP’s Alexis Georgopoulos put together a live ensemble to play Mexican Summer’s 10th Anniversary. The live setup netted a great response and Alexis and the band wound up in the studio working out an album with a five-person ensemble combing through material from the previous album and exploring new avenues in atmospherics and dub. The first track from the new Ensemble LP finds ARP diving through the kind of haunted ambiance that drew Georgopoulos to the sparse, yet affecting works of Finis Africae. It’s a slinking, saturated track, slicked with moss and seeping through the rocks. The new LP is out November 15th. It’s a new side to the ARP story and sounding pretty good at that.



Support the artist. Buy it HERE.

0 Comments

Cat Scan – “Lysol”

Nice little tweaker from L.A. band Cat Scan who have an LP out now on Volar. The band swings wild through the punk and post-punk markers along the tail end of the ‘70s and on into the ‘80s but on “Lysol” they’re stretching the silly putty sound transfer from The B-52’s through to the squeak-pop of We Have a Fuzzbox And We’re Gonna Use It. The track shreds the senses — built on a rubbery bass that seems like it might spill the bounds of its record grove and infect a few other tracks. The hand-off between the male-female vocals gives the track a spark, but like the ‘52s before them, what makes it tick is that they know when to let goofiness grind into catharsis in just the right way. The whole album’s got the spirit of the best ripped-shirt art-party rumblers and its a damn delight. Gonna want to get this one nudged on the volume and tapping at the window panes.



Support the artist. Buy it HERE.

0 Comments

Program – “Motorbike”

A tightly-wound indie throwback from The Stroppies adjacent Melbourne crew Program is a real charmer with a classic sound and a damnable hook that keeps coming back for more. Twang-curdled guitars light up the the speakers while the band sings about the frustration of social stagnation. It’’s got whiffs of Yo La Tengo,The Go-Betweens, Flying Nun and something more ineffable — a classic rock root that’s leathered and lean giving it a tougher exterior than it lets on. The LP is out October 18th from the constantly consistent Anti-Fade Records.



Support the artist. Buy it HERE.

0 Comments

United Waters – “Arrowheads”

United Waters are back on Drawing Room for their 4th LP and the first cut sighs dry ice with a quiet cool. Still hung on the songwriting of Brian Sullivan (Mouthus, Spectre Folk, Death Unit) the band occupies a strange niche between the kind of pulsating electronic-snipped post-punk that Total Control purveys — stripped raw but seemingly hovering six inches above the rest of us — and the slightly fuzzed bedroom pop that might have shown up on Sacred Bones and Captured Tracks in their infancy. Sullivan has a detached style that’s aloof enough to make him seem like he’s got all the answers, but approachable enough to let us ask him what they are. “Arrowheads” drips with a malleable nature that blends the guitars through the wires of the drums, rippling the sound like liquid seeping out of the speakers. Gonna want to keep an eye out for this one when it lands on Drawing Room November 8th.




Support the artist. Buy it HERE.

0 Comments

Wet Tuna – “Cowpath 40”

The steam off of this upcoming Wet Tuna record continues to rise and the band gives another inviting glimpse into the world of Water Weird. “Cowpath 40” slinks forward from the depths, slow and silken, yet covered in an algae slick that gives it a dank, earthen smell. There’s more than a little of the Midnight Tripper in the veins here, the bones of Louisiana sprung to life hundreds of miles north, swamped and sodden, but never soggy. Valentine and Gubler are skulking through a permanent 3AM tilt and it feels like the only right time to be out when Tuna’s on the speakers. New record lands October 11th, and the band is hitting Hudson for a stacked bill at The Half Moon. I’d highly suggest getting some Wet Tuna in your life.



Support the artist. Buy it HERE.

0 Comments

Garcia Peoples – “Heart and Soul”

The other half of this new Garcia Peoples platter found its way out yesterday and it’s a damn fine shade on them. Unmoored from the band’s usual groove, the flip to their epic One Step Behind finds the band whiskeyed down in the pre-dawn light, feeling out the bottom of the soul under the flickering bare bulb of yearning. Putting Derek Spaldo’s keys front and center, the song takes the band through country-scarred territory they’ve only hinted at before. The song dives into the large statement sadness of No Other-era Gene Clark in a way that most contemporary artists could only hope to scratch. While the band has cemented their status as kings of the stage — no matter how big or small — with this record they’re proving that the studio is just as much a home, and a place to carve out ecstatic highs and crushing lows that forever reverberate in their two-inch loop around the soul. If this one isn’t already on your wishlist for 2019, this damn well better seal the spot.



Support the artist. Buy it HERE.

0 Comments

Whistling Arrow – “Forking Paths”

This Heat founder Charles Hayward has been having a hell of a year, with an acclaimed solo record, collaboration with Keiji Haino and now this simmering new LP on the way from Whistling Arrow. The band alongside Hayward is made up of Laura Cannell, Andre Bosman plus members of Ex-Easter Island Head on prepared guitars. The track strains and stretches, rumbles through rhythm and bites into the flesh of experimental and classical canons. The ensemble builds their disjointed cacophony with a nod to invisible funk – possibly only existing in the mind, filtering between the bars. There’s a sense of dance arcing over the track, bones of jazz that tumble to the floor the instant the strings start to get caught in the beast’s teeth. It’s definitely got me curious how the rest of this will shake out. Check the track below and look out for Forking Paths November 22nd on God Unknown.



Support the artist. Buy it HERE.

0 Comments

Charles Rumback & Ryley Walker – “Half Joking”

Drummer Charles Rumback and Ryley Walker re-team for a new record on Thrill Jockey and it pulls them both out of their camps a bit. When we all last left Ryley he was exploring the boundaries of Chicago’s post-rock history. The record lay in stark contrast to his earlier folk works, but opened him up a starker side of his writing. Rumback, for his part has spent the last decade plus exploring jazz complexities with the likes of John Hughes, John Tate, Colorist, and From Beyond. The pair found themselves together on record in 2016 for Dead Oceans, exploring the waters somewhere between Ryley’s Deafman Glance setup and those collaborative moments in Rumback’s catalog. This time, though, the mode is decidedly more serene, hearkening back to some of Walker’s English folk leanings early on. “Half Joking” is a pastoral ripple across the strings that spreads out wide and winsome over the sun-dappled fields. Quite a nice offering from the pair. Look for Little Common Twist out November 8th.



Support the artist. Buy it HERE.

0 Comments

Matt Valentine – “Light Speed>”

Well this one’s been on rotation for me for a while, so good to see that the rest of the world is getting a listen. Matt Valentine’s already got a heady burner on the dock with Wet Tuna, but this solo LP wraps up 8 years of pre-dawn jams into one handy collection to cook yer noodle. The opener, “Light Speed>” lays down the operating parameters for the rest of the platter – thoroughly cone-fried psych shot through the outer rim, bounced from quasar to quasar and back through the low-band AM ripples of your transistor soul. The album’s full of mind mel(t/d) mercurial moments and they all start here like a slow-motion explosion triggered by battery acid and sweat. Get into it! The record is out November 8th, from Beyond Beyond is Beyond.




Support the artist. Buy it HERE.

0 Comments