Browsing Category Tracks

The Intelligence – “Auteur Detour”

New track dropping down today from The Intelligence’s tenth album, Un-Psychedelic in Peavy City. The band’s got Tim Green behind the boards, who is always able to pull some loose weirdness out of a band, and this glimpse behind the grooves is as delightfully mangled as any in the band’s oeuvre. “Auteur Detour” was described by the band as a “No Wave Santana Exercise” but its more than just guitar grind gone polygonal. Finberg and the band rivet their riffs to the rhythm, with the bass holding down front and center, underpinning a menacing vocal that drops non sequiturs like they were new wave mantras. Then the band let loose the moorings as the track progresses and, for all the assertions of the album’s Un-Psychedelic qualities, they wind up pretty heady, sweaty, and tangled by the time the track clicks to a close. Gonna want to see what else the album has in store (and you can) when this one barrels out into the world May 24th.

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De Lorians – “A Ship of Mental Health”

Beyond Beyond is Beyond is on a crusher of a run this year. Their latest addition to the stable is Japanese jazz-psych unit De Lorians. The band’s first single, “A Ship of Mental Health” comes on like Gong trading barbs with The Mothers of Invention, hooking skronking grooves to an effervescent bubble of weirdness. The band slices the scene experimental while they drop out into interjections of psych-dipped environmental noise recorded by guitarist Soya Nogami. That’s just the first half too. Heading over the hump of the 5-minute odyssey the band proves to Nogami has plenty of guitar flash in his bag as well, melting down the mirrors of madness with a streamlined scorch. The record lands July 26th and should be sliding into your want list right about… now.



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Taiwan Housing Project – “Toxic Garbage People”

If you missed out on Taiwan Housing Project’s KRS debut in 2017 then you’re probably not ready for their next slice of noise heaven, but you might as well buckle up and brace anyhow. The band picks up where they dropped the din prior, with singer/guitarist Kilynn Lunsford’s strychnine-laced vocals acting as the centerpiece as she thrashes, lashes, and howls herself hoarse for our benefit on “Toxic Garbage People. The song is propulsive and primed, set to blow at any minute, and that volatile nature gives the band their draw. Lunsford’s previous band, Little Claw, will remain a forever favorite around here, but she’s no less vital and vicious at the helm of THP. The new album, Sub-Language Trustees lands June 21st from NYC’s Ever/Never and it should find its way onto your ‘need’ pile based on this song alone. 2019 has been a good year for music, but it needed a little push towards bile-soaked brilliance.


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SUSS – “Chisholm Trail”

Adding to the cosmic conversation, NY’s Suss molds lysergic instrumentals threaded through with a country calm and rippled with serenity. The band is grafting aquamarine slides and tear-jerked guitars to the radiant shimmer and ambient float of synths, creating a hybrid of William Tyler’s country pickers and Boards of Canada’s otherworldly ambiance. On the A-side to their upcoming single, “Chisholm Trail,” the band heralds their arrival with mournful harmonicas that seem to indicate a Morricone twang is imminent before melting like moonlight into warbling tones, buttery pedal steel, and galloping strums. The track’s about as meditative as they come, with just a touch of bittersweet on the back end, making this one easy to absorb before it slips away into the night on the edges of pre-dawn fog. The new single arrives June 28th from Northern Spy.




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Hygiene – “Bring Back British Rail”

UK punks Hygiene scrape the scabs off of what they do best – wiry socialist punk that’s indebted to the legacy of Wire, Gang of Four and Wolfhounds. On album closer “Bring Back British Rail” they drape a veil of static over their Ted Talk punk pound for a nostalgic ode to public transit hammered through with piano and gang vocals. While the song’s a bit of a departure from the rest of the album’s cleanly clipped swagger, but it acts as a kind of rallying cry that crumbles to the ground in a cascade of chaos and discord. The record is out May 24th on Upset the Rhythm.



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Weeping Bong Band – “Pattern of a Platitude”

Pioneer Valley’s cosmic nub Weeping Bong Band don’t throw a lot of confetti as they approach releases. They tend to slip out under the cover of night, content to creep through the mists, solitary and serene. The band’s last LP for Feeding Tube was a shamanistic wander along the outer edge of folk’s reaches and they offer up more of the same for the upcoming, and rather appropriately titled, II. The first track to see the light, via a quietly slipped MP3 on Feeding Tube’s page, is “Pattern of A Platitude.” Again riding the pre-dawn vibes, the track lopes through strings and sonorous drones with a patient pace. The song’s spectral tendrils drag out over fields parched of green, dry and itching for a frost. If you missed out on the previous LP, the label’s done you a solid and repressed that gem. Otherwise, get ready for round two.



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Tengger – “See”

Today there’s another dip into the languid pools of Tengger’s upcoming album for Beyond Beyond is Beyond. The drone-prone family band’s sound is build on synths, harmonium and toy instruments but its all works out to some serious bliss bath excursions to another temporal plane. The band’s music is intertwined with their travel and “See” is no exception, taking its name from a particularly affecting morning hike.

The band explains that “the title “See” is from German language, “der see”, which means lake. (so it’s a bit of a play on words, see der see… ^-^;) When we were doing the Shikoku Pilgrimage (ed note: a multi-site pilgrimage of 88 temples associated with the Buddhist monk Kūkai on the island of Shikoku, Japan), one day we visited one shrine and one temple in the morning, near from one huge lake called Mannoike Manno Lake. We were watching the sunrise on the lake for quite a long time. The music of “See” is from that moment. We set the title of the track to “Mannoike” at first but changed it to “See”… seeing nature’s variations, when we did the Shikoku pilgrimage.”    

Pretty much the entirety of the band’s upcoming LP, Spiritual 2 evokes this kind of commune with nature and it should appeal to fans of Cluster, Emeralds, or Tangerine Dream. Dip in and take a listen below.



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Olden Yolk – “Grand Palais”

The second album from Olden Yolk continues to sparkle with a new single, “Grand Palais,” today. Not as driven and direct as lead single, “Cotton & Cain,” this shows a bit more of the band’s West Coast psych lineage. The band lays back into the froth of fuzz riffs and bouncing acoustics before that the sunset slide into twang following the chorus. The song’s bolstered by cap gun blast percussion and the soft sighs of Caity Shaffer wafting on the breeze before its submerged in a haze of sound and soul as it draws to a dizzying close. The band continues to push their folk-pop just up to the edge of psychedelic pool without letting the waters stain them too deeply. Each new offering from them is a giddy delight, placing the record far up the list of essentials for 2019.

The band’s taking the record on the road with Ryan Jewell and Frank Maston on board in the band, which is another great reason to get excited!



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The Pheromoans – “The Sixth Bell”

UK DIY outfit The Pheromoans have been a lot of things over the past few years, but consistent is not one of them. The band is historically chameleonic – adapting to fit whims rather than trends, swerving through garage, autumnal pop, and the more driven sound that fits their current iteration. With a new album on the way for ALTER, the band unleashes a breathless single, “The Sixth Bell,” that’s clenched to the teeth with an itchy beat that only relents as the song skids to a close on a dirty mattress of relief. Shot through with siren stabs of synth and puffs of flute, the song jostles the listener around the room, careening and curving at the edges, but driving them nonetheless like base impulses that can’t be ignored. I’m always keen to see where The Pheramoans are at when a release lands and this seems like good ground to chew for nine tracks or so. I’m all in to see where this one leads.



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Badge Époque Ensemble – “Undressed In Solitude”

Centering around the works of Maximillian “Twig” Turnbull (formerly Slim Twig), Alia O’Brien (Blood Ceremony) and a host of live players who’ve been backing U.S. Girls on the road over the past year, Canadian collective Badge Époque Ensemble creates a heady mix of jazz, psych, tropicalia and prog. The last U.S. Girl album was noted for its expansive sound and blistering live show, much of which is owed to the players here. Along with Twig, the band stretches out hitting the sweet spot of ‘70s soul-jazz under the sway of pharmaceuticals. On lead single “Undressed In Solitude” the band adds the vocals of James Baley to give the affair a midnight aura. The track stretches past the eleven-minute mark and fully embraces the boundless visions of Isaac Hayes’ unrestrained late ’60 / early ‘70s run. You just know this one is going to kill on stage. The record is out June 7th on Telephone Explosion.




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