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Sacred Paws – “How Far”

On their sophomore LP, UK duo Sacred Paws continues their thread of simple, yet sunny indie pop. “How Far” practically skips into the room on its acoustic strums, twirling in the sunlight like a kid let out of school early. The song’s so loose and airy it barely has bones but the pair keep it together with the charms of vets who’ve been honing their pop pedigree longer than their years would let on. The song approaches the edges of afrobeat before pulling back towards the indie-pop garden and the skittering lilt that guitarist Rachel Aggs adds to the song’s burbling beat is all the better for it. Definitely looking forward to this album as it rolls out from the band May 31st.




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Deliluh – “Rabbit”

Toronto post-punks Deliluh scrape at the gritty end of the genre, rolling a dirge of noise into clattering instrumental jousts among the players. “Rabbit” pokes into the speakers slowly, crawling up the spine with patience and practice before the song lets loose a hunger for blood around the 2:30 mark. The group has a way with anxious energy, spooling those early inklings of dread around their sound until it pulls tight at the throat. Then, just at the right moment, the band uncoils its reserve of tension and the release is primal and pounding. They let the guitars howl at one another until all that’s left is a pool of sinew and skin and an air of electricity on the breeze. Its an incredibly cathartic track that gives a notion of what’s in store on their upcoming sophomore LP, Oath of Intent. The record is out May 3rd on Telephone Explosion.





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Hierophants – “Limousine”

Very excited to say that Aussie pop-manglers Hierophants are back on the scene this week. The band, which features members of ORB, Frowning Clouds, Ausmuteants, Parsinp, and School Damage among others returns with their first album in five years and the first track’s a perfect extension of their warble-pop legacy. Among the ranks of the Geelong punk panel Hierophants have always stuck out for their adherence to a slower, slimier, hot-house vision of post-punk. There are no brittle edges in Hierophants world, but the floor gives way without notice and everything seems to be covered in a pungent gel of pop weirdness. “Limousine” is a slow-motion shuffler with an ode to dubious wealth. There’s a feeling of artifice that crumbles under the band’s used-car slink. The track feels as if its constantly slipping away like new money hustlers trying to impress with style over substance, and ultimately lacking either. Gonna want to keep an eye on this one when it comes out May 24th.



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Salt Lick – “Into The Night”

Got another drip-dried, gutter-glued bout of heavy garage blues from L.A.’s Salt Lick today. “Into the Night” turns the turbine to swamp n’ swelter with a sludge-thick blast of power trio swagger that’s huffing from the same tube as Blue Cheer, Toad, Buffalo, and Tractor. The band’s only polished their pedal-down power since their early singles and this cut from their upcoming LP proves that the crew at Permanent know their way around a chest-rattler or two. Seems only fitting that the guys putting together those Brown Acid comps (Salt Lick double as label staffers) also have it in ‘em to channel the handlebar heaven of guttural psych-sploitation when they step up to the mic. This is a nice slice of what’s on the way from their eponymous full length, so inoculate yourself to the fuzztone fever with this cut and get ready for more when the album hits this Friday.




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L’epée – “Dreams”

Anton Newcombe’s been sponsoring the US invasion of The Limiñanas for some time now, appearing on singles with them and producing their last album, Shadow People. Only seems fitting that they should all just join up for a full band sitdown and crank out a few cuts. The first single from their new group L’epée, which also wrangles in Emmaunelle Seigner of Ultra Orange, hits this week and it’s a smoke-thickened version of the Francophiled psych stomp that The Limiñanas have made their meal ticket. “Dreams” has a hypnotic groove grinding under the hood, topped with an enticing twang, the incense-tinged vocals of Seigner and some hip-swung background vox that give this a ‘60s TV shimmy vibe. It’s a nice dichotomy of heavy and heavenly and definitely makes me want more from the crew, which should be soon. Debut LP is coming in June.



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Pinch Points – “Shibboleth”

Melourne’s Pinch Points fire back this year with another infected, squirming bout of post-punk poison. The first taster of their upcoming Moving Parts LP is an itchy-toothed bite into society that leaves blood on the bite mark. Hammered guitars herald their heavily coiled sound opening into a battery of drums and vocal venom that sees the band trading barbs between themselves shouting along on the chorus. The track ties the band’s tension around the listener like a steel-banded scarf, slowly tightening the pressure as they careen towards the close. The record is out May 31st through Roolette in Australia, Six Tonnes de Chair in France and Burger here in the States. Gonna want to keep an eye out for this one.



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Dire Wolves – “I Control The Weather”

Despite the band’s massive output over the last few years, you’d be forgiven for having missed out on releases from the mercurial Dire Wolves (sometimes appended to “Absolutely Perfect Brothers Band” or “Just Exactly Perfect Sisters Band”). The band’s been running the psychedelic small format mill ragged with tapes on Eiderdown, Sloow, Sky Lantern, Baked, etc and have been bouncing LPs between serious scene tentpoles Beyond Beyond is Beyond and Feeding Tube for a small stretch. Yet, this seems like the year and more to the point, the release, that splashes their heady maelstrom of psych-folk across your speakers.

Returning again to BBiB, the band have released the first cut from upcoming full-length Grow Towards The Light today. The track finds the band locked into sonic struggle with the eternal vortex – guitars lashing at the wind one minute, melting in thick candle wax runs the next. Fiddle slices through in a nimble dance with the percussive roil and atop the whole churning froth, Georgia Carbone incants a vocal spell with words that seem utterly not of this earth. This is the band’s first turn without original vocalist Lau Nau, and Carbone steps ably up to the task at hand, giving the song a mystical push towards oblivion. The track is just the beginning of the band’s descent into the fray, but it’s enough to captivate with repeat listens until you get your hands on the full cosmic journey.



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Matt Surfin’ & Friends – “Waiting On You”

New slice of shimmer pop out today from Matt Surfin’ and Friends, the collaborative project of Matt Serferian (Donovan Wolfington, POPE). “Waitin’ On You” on you slides in on Summer winds, catching some of the downdraft from The Cars as well as more contemporary pop diggers Sam Flax and Wyatt Blair. The band was conceived as a collective of friends and this track features Ross Farbe and Ray Micarelli from Video Age. Ross provides the vocal treatment that gives the band its seabreeze air to match Serferian’s musical pleather punch. Matt recalls the song’s incubation – “Waiting On You” is a collaborative work between Ross, Ray, and myself. I felt like I couldn’t do some of the ideas I had justice so I asked Ross if he would be interested in singing the song and maybe helping me rework some parts. We met up months later, rewrote the verses and changed the feel to something more like a dance version of the cleaners from Venus. We wrote and recorded it all in about 8 hours. It was a blast working with such talented musicians and song writers as Ross and Ray as they solidified and expanded my ideas.”

The Records is out May 3rd on Community Records, limited to 300.




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Constant Mongrel – “Experts in Skin”

Melbourne’s post-punk pounders Constant Mongrel follow up their excellent LP from 2018 with a double shot single in advance of their European tour. A-side “Experts in Skin” is a brittle, blistered cut that rolls in on Plasticine guitar needles before kicking over to a full-on hive of buzzing synths, sax and rhythmic rancor. The vocal bile from Tom Ridgewell captures their usual sneering, aloof attack, cutting through consumerism without an ounce of affection. The band’s long been one of the Aussie underground’s secret weapons, wrangling up players from Terry, Woolen Kits, and Nun and this 7” slab for Upset The Rhythm keeps their reputation solid. Nab a listen to the A-side below and look for the single in June or on the road in the EU.



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Jeanines – “Either Way”

Brooklyn do Jeanines have announced their debut LP for Slumberland today and the first cut wafts in on memories of classic Slumberland, Sarah, and Cloudberry singles gone by. Lead by Alicia Jeanine and aided and abetted by My Teeanage Sride’s Jed Smith on drums and bass, the band picks at a whole host of favorites from Marine Girls, The Pastels and Talulah Gosh to further outliers like Tiger Trap and Cub. Its sweet and simple and decidedly breezy, just the kind of jangle pop that brightens a day. There have been a lot of heirs to the jangle-pop throne, but the true secret is not to overthink it. So many of the originals shone brightly because they weren’t trying to overcomplicate the sound, and instead just got together with friends to knock out sparkling singles dipped in simple syrup and sunshine. Jeanines seem to capture the haphazard brilliance of the original set. Get this one on your list for 2019.



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