Black Mountain

The thing I love about Black Mountain is that they go all in. They aren’t doing prog by half measures, name checking King Crimson or Can because it ticks some boxes off of their diverse influences card. No they’re full on Tarkus-ing. They’re pulling Pink Floyd synths out of their teenage memories and updating the notion of grandiose for a new age. They’re finding the Lost Chord, breaking through Wakeman’s Fragile territory and going for it like they couldn’t give a shit if you notice their Tull shirts showing. If punk was the buck reaction to prog, then what’s more punk than going full prog in 2016? Thing is this isn’t just a rehash. Its not a nostalgia album proper. Black Mountain have all these influences searing through their veins and they come pouring out through every inch of IV but the take feels fresh. They make prog mammoth again, crushing and awe-inducing in a way that should make you feel a fool for ever passing up all those Hammond-laden brothers in arms in the first place.

Its hard to believe that its been well over a decade since they dropped their eponymous debut, and even harder to realize its been six years since they had a proper full length. But just hearing the McBean / Webber combo back on the speakers makes me realize how long its really been and how big a hole there’s been in rock since they left. The album boasts production from Randall Dunn (Sunn o)), Wolves In The Throne Room) and has the balls to open with a eight plus minute epic that’s only the first taste of how towering this album gets. Six years is a long time but build up expectations, but IV smashes through them with ease.




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