One of the great, ink-black holes of interest in the pervasive Seattle music culture is A-Frames. The dirge-worthy noise punks were a black hole of chaos, tearing up S-S records and Dragnet before even they got themselves a Sub Pop deal and subsequently either delighted or deflated listeners looking for a certain Northwest sound. Long before there was The Intelligence and slightly before there was the idea of an A-Frames proper, there was Bend Sinister – the incubator of sorts for what would grow into a sprawling, narcotic entity. The band was built around Erin Sullivan, Min Yee and Josh Turgeon but later added in Steve Kaplan, who in turn left to make way for Lars Finberg. Lars, Erin and Min would go on to form A-Frames but it was in Bend Sinister that their love of noise punk produced some of the heaviest din associated with the region.
Named after a Fall song and professing love for The Electric Eels, Scratch Acid, Feedtime and Country Teasers, there’s no doubt that the band was about to gouge a few holes in the linoleum when they let loose. Homeless culls up a good chunk of the band’s ‘90s recordings on Tape 2, and it’s a must for fans of the A-Frames trajectory, but more than just a curio for Northwest collectors. Despite the relatively low-profile release status of a lot of the material here, it hammers pretty hard, not going for pristine power like some of their contemporaries but exchanging scrubbed audio for pure power in the end equation. Having missed out on Bend Sinister in its day, but loving everything that came as a result, this is a great primer and a peek at the seeds of what was to come.
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