Aussie psych unit Beaches has built a carefully paced career, releasing just three albums since 2007. Doesn’t sound like much of a feat, but in an album a year environment (or five a year like some of their countrymen), the editing process doesn’t always come so naturally these days. Second of Spring plays to their strengths – atmosphere and hypnotic chug lead the way. They drop a dose of shoegaze, Krautrock, and psych in the blender then whip to a froth. The resulting double album is a hazy mountain of sound that proves to push the band to new heights.
Perhaps most refreshing is that, for a band that’s somewhat rooted in pop, this isn’t just an overstuffed collection of tracks that found their way floating to the top of the pile. They construct an arc of tonality that pushes past hooks and into using the album as environment, a larger canvass to work out their sonic swirl. They swerve through eddies of echo, with vocals so lost in the surrounding swamp they barely register. The next minute they kick up the rhythms to a motorik grind that practically pushes the angles into neon relief. Then they smack down the obfuscation altogether for a crush of pop, that’s certainly not pristine, but shining of its own accord.
The duality of shrouded vs. palpable, gauzy vs. catchy is what drives the album into psych-pop’s pantheon, marking this as the band’s best. Its no slight listen and that makes it worth going back to for repeated examinations of the elaborate folds the band pulls off here. Beaches have spent time honing their craft and it shows on Second Of Spring. If you’re looking for a breezy run, maybe hit up another Beach themed outfit, this one’s gonna make you take the climb to find the perfect wave.
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